Dominica Resurrectionis - Pascha - Easter Sunday

Hac die quam fecit Dominus, Solemnitas solemnitatum, et Pascha nostrum Resurrectio Salvatoris nostri Jesu Christi secundum carnem. These glorious words are sung, to the tone of the Passion, at Prime today at the reading of the Martyrology before the announcement of the day and moon for tomorrow.  Holy Pascha is a Double of the First Class with a privileged Octave of the first Order.

At the final stages of the Vesperal Liturgy of Holy Saturday yesterday morning an antiphon consisting of a triple Alleluia was sung, doubled with psalm 116. The antiphon on the Magnificat was Vespere autem sabbati etc. After the Vesperal Liturgy the traditional blessing of houses takes place and, in some countries, the Paschal food.  Compline was sung, at the normal time. On Holy Saturday the Office of Compline has some interesting variations. Compline began with the usual Jube, domne, blessing, short lesson and confession. Converte nos, Deus, salutaris noster and its response were then sung followed by Deus in adjutorium etc with Alleluia for the first time since Septuagesima. The psalms were sung, without an antiphon, to a special form of tone 2. The hymn, chapter and responsory are omitted and Vespere autem sabbati sung as a fragment antiphon to the Nunc dimittis. After the Canticle the antiphon is sung in full. After the usual collect, Visita quaesumus, the antiphon Regina Caeli is sung with its versicle and collect.

Mattins begin with the solemn tone for Deus in adjutorium etc. The invitatory is Surrexit Dominus vere Alleluia and psalm 94 is sung to a lovely tone 6 setting. Mattins consists of one nocturn of three psalms. There is no Office Hymn throughout the Octave (c.f. Monastic praxis). The first antiphon is Ego sum qui sum etc and sung with psalm 1. The second antiphon, Postulavi Patrem meum etc, is sung with psalm 2. The third antiphon, Ego dormivi etc, is sung with psalm 3. A versicle and its response are sung follwed by the absolution Exaudi etc. The first lesson has the Gospel fragment Mark 16: 1-7 and is followed by a homily of St. Gregory the Great. The two responsories Angelus Domini descendit and Cum transisset sabbatum are famous and intimately connected with the Quem quaeritis ceremonies and indeed the development of Western drama (vide the excellent book: Hardison, O.B., 'Christian Rite and Christian Drama in the Middle Ages', The John Hopkins Press, Baltimore, 1965).

The second lesson, Notandum vero nobis est is sung followed by the second responsory. During the second responsory the cantors and the celebrant don copes the principal one pre-intones the Te Deum. Six pluvialistae assist the Hebdomadarius where possible. The Te Deum is then sung and, where it is the custom the bells ring throughout.

Lauds follow immediately and have a series of beautiful antiphons: Angelus autem Domini, Et ecce terraemotus, Erat autem, Prae timore autem ejus and Respondens autem Angelus all taking up the theme of the Angels, earthquake and empty tomb. Psalms 92, 99, 62, Benedicite & 148 are sung with these antiphons. The chapter, hymn, versicle and response are replaced by the Haec dies. After Haec dies the antiphon Et valde mane is sung and then the Benedictus sung to a solemn tone 8. During the Benedictus the altar, the choir and people are censed in the normal manner. The antiphon is repeated and the collect of Easter, Deus, qui hodierna die sung. Benedicamus Domino, Alleluia, Alleluia and its response are followed by the solemn Regina Caeli, its versicle and collect.

The morning Office begins with Prime. There are no hymns at the Hours during the entire Paschal Octave in the Roman rite. At Prime psalms 53 and the first two divisi of Ps. 118 are sung to a special form of Tone 2. Haec Dies is sung after the psalmody and then everything else is omitted up to the collect Domine Deus omnipotens. The Martyrology is then sung, starting with the verse indicated above. Then Sancta Maria etc is sung, the collect Dirigere et sanctificare etc and the short lesson Si consurrexistis. Terce, and the other Little Hours, are even more simple in their structure. At Terce the usual stanzas of Ps. 118 are sung to the special Tone 2 form followed by Haec dies and the collect of the day.

Mass is sung after Terce. Instead of Asperges me the Paschatide Vidi aquam is sung today and all other Sundays in Paschaltide. In the great Mass of Easter, Resurrexi, the Gloria is sung, one collect is sung. Haec dies is sung as the Gradual. The sequence Victimae paschali laudes is sung after the Alleluia. The Creed is sung and Ite missa est alleluia, alleluia is sung as the dismissal.

Sext and None have exactly the same structure as Terce. At Vespers the antiphons sung at Lauds, Angelus autem Domini etc, are are sung with the usual Sunday psalms. Haec dies is sung in place of the chapter, hymn and versicle & response. The solemn tone is used for Benedicamus Domino, alleluia, alleluia.

At Compline the usual psalms are sung to Tone 8G without any preceding antiphon, followed by an antiphon consisting of Alleluia, alleluia, alleluia, alleluia. This is followed by the Nunc dimittis sung to the Paschal Tone 2, without antiphons. Haec dies is then sung followed by the collect Visita quaesumus etc and then, as yesterday the antiphon Regina coeli etc.

Dominica in Palmis - Palm Sunday

Palm Sunday is a privileged semi-double Sunday of the first class and the sixth, and last, Sunday in Lent. No feast can take its place. In the Roman rite Palm Sunday, in its authentic form, is a truly magnificent day with the splendid solemn blessing of Palms and Procession before the principle Mass. The liturgical colour, from Mattins onwards, is violet.

Vespers yesterday morning were second Vespers of the feast of St. Joseph, Spouse of the BVM.  The antiphons Ibant parentes Jesu etc were sung, doubled, with psalms 109, 110, 111, 112 & 118.  The Office hymn was Te Joseph celebrent agmina caelitum. After the collect of the feast a commemoration of Palm Sunday was sung. The Suffrage was omitted due to the double feast and it being Passiontide. At Compline, sung at the usual time, the Dominical preces were also omitted.

At Mattins there are the usual three nocturns. The antiphons and psalms at all the nocturns are those appointed for Sundays. In the first nocturn the lessons are from the book of Jeremiah the Prophet. In the second nocturn the lessons are a sermon of St. Leo the Great and in the third a homily of St. Ambrose. The Te Deum is not sung but a ninth responsory, Circumdederunt me viri mendaces etc., is sung in its place. At Lauds the antiphons are proper, Dominus Deus etc., to Palm Sunday and the second scheme of Psalms is sung (50, 117, 62, Benedictus es, 148). The chapter is proper to the Sunday and the Office hymn is Lustra sex.

At Prime and the Hours the antiphons are proper to the Sunday, Pueri Hebraeorum etc. At Prime psalms 92, 99 (displaced from Lauds) and the first two divisi of Ps. 118 are sung. The Dominical preces are sung and the short lesson is Faciem meam. At Terce the antiphon is Pueri Hebraeorum vestimenta which again will be heard shortly afterwards at the distribution of Palms.

After Terce, as usual, the Asperges ceremony takes place before Mass. The deacon and subdeacon wear violet folded chasubles. Being in Passiontide the Lesser Doxology is omitted after the verse of the Miserere. After the Asperges the celebrant and ministers proceed to the Epistle corner and begin the solemn blessing of Palms whilst the choir sing the antiphon Hosanna fili David, O Rex Israel etc. The rubrics direct that the Palms are to be blessed at the Epistle side of the altar.

(The above image is a screen shot from an historic video a friend alerted me to be found on YouTube entitled 'SSPX UK History'. In the first twenty minutes or so of the video one can see some images of Traditional Holy Week being celebrated in the, then, newly acquired church of SS Joseph and Padarn in north London in 1983.  There is also a clip from a BBC documentary that has footage of the 1982 Palm Sunday liturgy celebrated a week or so after the church opened.  The $$PX banned the traditional rites from 1983 so the images are particularly poignant.)

The blessing begins with the celebrant reading an antiphon Hosanna Filio David followed by a collect Deus, quim diligere and then the reading of an Epistle and Gospel. The normal ceremonies of High Mass are followed. The subdeacon removes his folded chasuble to sing the Epistle taken from the Book of Exodus. Following the Epistle two texts are given, Collegerunt pontifices and In monte Oliveti (the latter will appear again as a responsory during the Triduum) to be sung as a 'gradual', both may be sung.

Following the Gospel the deacon resumes his folded chasuble and the collect Auge fidem is sung followed by a preface, Sanctus and four further collects Deus, qui dispersa, Deus, qui miro, Deus, qui per olivae and Benedic quaesumus. The presence of a preface is indicative of the solemn blessing (c.f. the great blessing of waters at Epiphany). The collect Deus, qui miro is a didactic masterpiece. Readers will note the strong correlation between the text of the collect and of the second lesson of Mattins for the Saturday before Palm Sunday from St. Augustine:

O God, who, by the wonderful order of Thy disposition, hast been pleased to manifest the dispensation of our salvation even from things insensible: grant, we beseech Thee, that the devout hearts of Thy faithful may understand to their benefit what is mystically signified by the fact that on this day the multitude, taught by a heavenly illumination, went forth to meet their Redeemer, and strewed branches of palms and olive at His feet. The branches of palms, therefore, represent His triumphs over the prince of death; and the branches of olive proclaim, in a manner, the coming of a spiritual unction. For that pious multitude understood that these things were then prefigured; that our Redeemer, compassionating human miseries, was about to fight with the prince of death for the life of the whole world, and, by dying, to triumph. For which cause they dutifully ministered such things as signified in Him the triumphs of victory and the richness of mercy. And we also, with full faith, retaining this as done and signified, humbly beseech Thee, O holy Lord, Father almighty, everlasting God, through the same Jesus Christ our Lord, that in Him and through Him, whose members Thou hast been pleased to make us, we may become victorious over the empire of death, and may deserve to be partakers of His glorious Resurrection.

The celebrant then puts on incense and blesses it. The Palms are then aspersed with lustral water, the celebrant saying in a low voice Asperges me etc, and then censed. Another collect, Deus, qui Filium is then sung. The celebrant then receives his Palm from the senior canon present. If no other priest is present the celebrant kneels and takes the Palm from the of the altar, kisses it then passes it to the subdeacon who places it again on the mensa. The celebrant then gives Palms to the deacon and subdeacon and other ministers and then the people. The Palm is kissed first and then the celebrant's hand. During the distribution the antiphons Pueri Hebraeorum and Pueri Hebraeorum vestimenta are sung. After the distribution the celebrant and ministers go back to the altar, bow to the Cross and then go to the Epistle corner where the celebrant's hands are washed. Then, at the missal, he sings the collect Omnipotens sempiterne.

The celebrant's hands are washed after the distribution of Palms whilst the, veiled, Processional Cross is decorated with some of the blessed Palms. A Procession is then formed, led by the thurifer, followed by the subdeacon (of the Mass, not this day an additional subdeacon) bearing the Processional Cross. The deacon sings Procedamus in pace and the following antiphons are sung during the Procession Cum appropinquaret, Cum audisset, Ante sex dies, Occurrunt turbae, Cum angelis et pueris and Turba multa.

Ideally the Procession goes outside and around the church. Often circumstances dictate the Procession must simply go around the aisles of the church. Towards he end of the Procession cantors re-enter the church and the door is closed. The beautiful hymn of Theodolph Gloria, laus, et honor is then sung in alternation between the cantors inside the church and everyone else outside. At the end of the hymn the subdeacon, or Crucifer when there are no ministers, strikes the church door three times with the foot of the Processional Cross and the party re-enters the church to the singing of Ingrediente Domino.

(The photograph above is taken from 'Cardinal Bourne - A Life in Pictures', a memorial tribute to Cardinal Bourne, Archbishop of Westminster, and is from Palm Sunday 1919. Note the elaborate Palm the Cardinal is holding and the folded chasubles worn by the Canon Assistant Deacons (who are also wearing rochets). The photograph is at the stage when Gloria laus is being sung before the re-entry into the Cathedral.)

Mass then follows the usual manner. The celebrant removes his cope and dons his chasuble. The preparatory prayers are said but the psalm Judica me is omitted being in Passiontide. The introit is Domine, ne longe etc. There is no Gloria. No commemoration is made of an occuring Office on Palm Sunday so there is only one collect. Psalm 21 is sung in its entirety as a Tract. The major difference from any other Sunday is singing of the Passion according to St. Matthew by three additional deacons of the Passion. The text of the Passion is Matthew 26: 1-75; 27: 1-66. After the singing of the Passion the last part, Altera autem die...lapidem cum custodibus, is sung with the ceremonies of a Gospel by the deacon of the Mass (having removed his folded chasuble etc) to a most haunting tone.



The choir and people hold their Palms during the singing of the Passion. The Creed is sung, the preface is of the Cross and the dismissal is Benedicamus Domino, sung by the deacon facing the celebrant and altar.

Sext and None again have proper antiphons, Tibi revelavi etc and Invocabo etc respectively. At Vespers the antiphons and psalms of Sunday are sung. The chapter is Hoc enim senite and the Office hymn is Vexilla regis, both as at Vespers yesterday. After the collect of the Sunday a commemoration of St. Benedict is sung. At Compline the Dominical preces are omitted.

In the 'liturgical books of 1962' Palm Sunday has been quite radically given a 'makeover' indeed to the extent that the official title of the day has even been changed to 'Second Sunday of the Passion or Palm Sunday'.  For those interested in the catalogue of destruction an earlier post here gives the details, simply ignore the references to occurring Offices.  The image below, a screen shot from another YouTube video of the $$PX in action, shows their post-1983 mode of celebration.

Seven Sorrows of the BVM

Today, Friday in Passion week, is the feast of the Seven Sorrows of the BVM. It is of greater-double rite and its liturgical colour is white. In the Breviary and Missal the texts for the feast are found in the Sanctorale at the end of March.

At Vespers yesterday morning the antiphons, Vadam ad montem etc, were proper to the feast and were sung with psalms 115, 119, 139, 140 & 141. The chapter, from Isaiah, was proper and the Office hymn was the moving Stabat Mater dolorosa. The antiphon on the Magnificat and collect were both proper to the feast.  After the collect of the feast commemorations were sung of the preceding feast of St. Patrick, of St. Cyril of Jerusalem and of the the Passiontide feria. At Compline Te lucis was sung with the Doxology Jesu, tibi sit gloria, Qui passus es pro servulis etc and the Dominical preces were omitted.

At Mattins the invitatory is proper, Dolores gloriosae etc. The hymn is Sancta Mater, a continuation of Stabat Mater. The antiphons and psalms are proper. The first antiphon, Astiterunt reges terrae, is of course the same antiphon sung at Tenebrae of Good Friday that will be sung on Mandy Thursday evening next week. In the first nocturn Pss. 2, 3 & 12 are sung followed by lessons from Isaiah. The responsories in all three nocturns are proper. In the second nocturn (Pss. 40, 55 & 56) the lessons are from a sermon of St. Bernard. In the third nocturn (Pss. 63, 87 & 108) the lessons are taken from a homily of St. Augustine on St. John's Gospel. The ninth lesson is the homily for Friday in Passion week from St. Augustine on St. John's Gospel. The Te Deum is sung. At Lauds the antiphons Vadam ad montem etc, are proper and sung with the Dominical psalms. The Office hymn at Lauds is Virgo virginum. After the collect of the feast commemorations are sung of St. Cyril and of the Passiontide feria.

At Prime and the other Hours the hymns are sung to the special tone of the Doxology Jesu tibi sit gloria, Qui passus es pro servulis, Cum Patre et almo Spiritu, In sempiterna saecula. At Prime the festal psalms are sung (Pss. 53, 118i & 118ii). In the short responsory the verse Qui passus es propter nostram salutem is sung. The short lesson is proper to the feast Generationem ejus etc.

Mass is sung after Terce. The Gloria is sung, the second collect is of St. Cyril and the third collect is of Friday in Passion week. After the Tract Stabat Mater is sung as a sequence. The Creed is sung, the preface is of the BVM with the clause Et te in Transfixione and the last Gospel is of Friday in Passion week. Private Masses may be of the Friday in Passion week with commemorations of the Seven Sorrow and of St. Cyril. The last Gospel is of the Seven Sorrows.

Vespers this morning are first Vespers of the feast of St. Joseph. The antiphons Jacob autem etc are sung with psalms 109, 110, 111, 112 & 116. The Office hymn is Te, Joseph celebrent etc. After the collect of the feast a commemoration is sung of the Friday in Passion week. At Compline Te lucis the Dominical preces are, again, omitted.

In the 'liturgical books of 1962' the Office of the Seven Sorrows has been reduced to a mere commemoration in the ferial Office of the Friday of the 'First Passion Week'. However, a rubric in the 1962 Missal allows two Masses of the former feast to be celebrated for pastoral reasons where devotion to the feast exists. Vespers are the same as in the traditional rite.

Passion Sunday

Passion Sunday is the fifth and penultimate Sunday in Lent. It is a semi-double Sunday of the first class and its liturgical colour is violet.

The most apparent and visually striking feature of this Sunday is the Roman practice of veiling all crosses and images with violet cloth. The custom seems to have developed from the words in the day's Gospel 'Jesus autem abscondit se' - but Jesus hid himself. The veiling takes place after Mass on Saturday morning before Vespers are sung. The praxis should not be confused with that of Lenten Array where holy images were covered in off-white linen or cloth from the beginning of Lent. From Vespers along with the veiling, the liturgy took on certain more penitential aspects that belong to Passiontide. The Gloria Patri is omitted from the invitatory of Mattins, from the responsories of Mattins and from the short responsories of the Hours. It is also omitted from the Asperges ceremony before Mass on both Passion Sunday and on Palm Sunday. In Masses 'of the season' Gloria Patri is also omitted from the introit and Lavabo along with the psalm Judica me Deus. The Suffrage of the Saints is also omitted until after Trinity Sunday.

At Vespers yesterday morning the antiphons and psalms were those of Saturday, the chapter was proper to Passion Sunday. The Office hymn was the magnificent Vexilla regis. This hymn is sung at Vespers throughout Passiontide and at the Mass of the Pre-Sanctified on Good Friday. The antiphon on the Magnificat and collect were proper to the Sunday. After the collect of the Sunday a commemoration was sung of the preceding Office of St. Gregory the Great. At Compline the Lesser Doxology was omitted from the short responsory. The Dominical preces were omitted due to the concurring double feast.

At Mattins the invitatory is Hodie, si vocem Domini audieritis, Nolite obdurare corda vestra from Ps. 94 and a special rubric indicates the omission of that verse in the psalm. The hymn is Pange, lingua ...Lauream. The same invitatory and hymn are sung from today until the Sacred Triduum in the Office of the Season. The antiphons given in the Psalter for Sundays are sung. In the first nocturn the lessons are the Incipit of the book of Jeremiah. In the second nocturn the lessons are taken from the ninth sermon on Lent by St. Leo the Great. In the third nocturn the lessons are a homily of St. Gregory on St. John's Gospel. The Te Deum is omitted as on other Lenten Sundays and a ninth responsory, Quis dabit capiti, sung in its place. At Lauds the antiphons, Vide Dominum etc., are proper to the Sunday and the second scheme of Psalms sung (50, 117, 62, Benedictus es & 148). The chapter is proper to the Sunday and hymn is Lustra sex. The Suffrage is omitted in Passiontide as noted above.

At Prime and the Hours the antiphons, Ego daemoninum etc., are proper to the Sunday. At Prime the psalms are 92, 99 (displaced from Lauds) and the first two divisi of Ps. 118. At Prime the Dominical preces are sung.

Mass is sung after Terce. The ministers wear folded chasubles. The Gloria is not sung. The second collect is for the Church, Ecclesiae. There is no third collect in Passiontide. As usual in Lent a Tract is sung after the Gradual. The Creed is sung, the preface is of the Cross and the dismissal is Benedicamus Domino sung by the deacon whilst facing the celebrant and altar.

Vespers are of the Sunday with psalms 109, 110, 111, 112 & 113. The Office hymn is the Vexilla regis. At Compline the Dominical preces are sung.

In the 'liturgical books of 1962' Passion Sunday becomes re-branded as 'First Sunday of the Passion'. There is no commemoration at Vespers. Mattins is reduced down to usual single nocturn of three lessons. At Prime the psalmody is Ps. 53 and the first two divisi of Ps. 118. The Dominical preces are always omitted at Prime. At Mass there is only a single collect and the dismissal is Ite, missa est. The ministers wear dalmatic and tunicle instead of folded chasubles. At Compline the Dominical preces have been abolished.

Art: Jerome Nadal

Fourth Sunday in Lent

The Fourth Sunday in Lent is known as Laetare Sunday after the opening words of the Introit at its Mass Laetare, Jerusalem - Rejoice Jerusalem - and is also known as 'mid-Lent' Sunday and is also 'Mothering Sunday' in many countries including the United Kingdom. It is a semi-double Sunday of the first class. The distinguishing feature of this Sunday, in relatively modern times, is the permitted, though not by any measure of obligation, use of rose-coloured vestments. Rose is perceived as a lighter shade of violet and the use of rose vestments developed from the older praxis of a golden rose being given to female monarchs by the pope on this day. Cardinals of the Court of Rome wore rose watered-silk choir dress too on this Sunday along with the corresponding Gaudete Sunday in Advent. For the rest of Lent Cardinals wore their 'winter violet' merino cassock, mantelletum and mozzeta (not the violet watered silk of their 'summer' violet). This practice disappeared during the 1920s. There is no obligation whatsoever to wear rose and the older praxis of violet vestments, with the deacon and subdeacon in dalmatic and tunicle respecitively, not folded chasubles, may be maintained.

At Vespers yesterday morning the antiphons and psalms of Saturday were sung. The chapter was proper to the Sunday and the Office hymn was Audi, benigne Conditor. After the collect of the Sunday a commemoration of SS Perpetua and Felicitas was sung. The Suffrage of the Saints was omitted due to the double feast as were the Dominical preces at Compline.

At Mattins the invitatory is, as on the previous Sundays of Lent, Non sit vobis and the Office hymn is Ex more. The antiphons given in the Psalter for Sundays are used. In the first nocturn the lessons are from Exodus and the story of Moses and the Burning Bush. In the second nocturn the lessons are from the writings of St. Basil the Great on fasting and in the third nocturn the lessons are a homily of St. Augustine on St. John's Gospel. At Lauds the antiphons, Tunc acceptabis etc., are proper to the Sunday and the second scheme of Psalms sung (50, 117, 62, the canticle Benedictus es, 148). The chapter is proper to the Sunday and hymn is O sol salutis. After the collect of the Sunday a commemoration of SS Perpetua and Felicity is sung.

At Prime and the Hours the antiphons, Accepit ergo etc., are proper to the Sunday. At Prime the psalms are 92, 99 (displaced from Lauds) and the first two divisi of Ps. 118. The Dominical preces are sung and the short lesson is Quaerite Dominum.

Mass is sung after Terce. The Gloria is not sung. The second collect is of SS Perpetua and Felicitas. Today there is no the third collect. A Tract is sung after the Gradual, the Credo is sung, the preface is of Lent and the dismissal is Benedicamus Domino, sung by the deacon facing the celebrant and altar. As folded chasubles are not worn the organ may be played. As noted above violet vestments may be used in the absence of rose, or in preference to it, in which case the deacon and subdeacon wear the dalmatic and tunicle not folded chasubles.

Vespers are of the Sunday, sung in the afternoon, with Pss. 109, 110, 111, 112 & 113. The Office hymn is Audi benigne Conditor. After the collect of the Sunday commemorations are sung of the following feast of St. Thomas Aquinas and of SS Perpetua and Felicitas. The Suffrage of the Saints is omitted as are the Dominical preces at Compline.

In the 'liturgical books of 1962' Vespers yesterday were sung at the same time as outside of Lent, without any commemorations. Mattins is cut down to a single nocturn of three lessons. At Lauds there are no commemorations. At Prime the psalms are 53 and the first two divisi of Ps. 118. At Mass there is only a single collect. The dismissal is Ite, missa est. At Vespers there are no commemorations.

Art: Jerome Nadal