Passion Sunday

Passion Sunday is the fifth and penultimate Sunday in Lent. It is a semi-double Sunday of the first class and its liturgical colour is violet.

The most apparent and visually striking feature of this Sunday is the Roman practice of veiling all crosses and images with violet cloth. The custom seems to have developed from the words in the day's Gospel 'Jesus autem abscondit se' - but Jesus hid himself. The veiling takes place after Mass on Saturday morning before Vespers are sung. The praxis should not be confused with that of Lenten Array where holy images were covered in off-white linen or cloth from the very beginning of Lent. From Vespers along with the veiling, the liturgy takes on certain more penitential aspects that belong to Passiontide. The Gloria Patri is omitted from the invitatory of Mattins, from the responsories of Mattins and from the short responsories of the Hours. It is also omitted from the Asperges ceremony before Mass on both Passion Sunday and on Palm Sunday. In Masses 'of the season' Gloria Patri is also omitted from the introit and Lavabo along with the psalm Judica me Deus. The Suffrage of the Saints is also omitted at Vespers and at Lauds until after Trinity Sunday.

At Vespers, yesterday morning, the antiphons and psalms were those of Saturday, the chapter was proper to Passion Sunday. The Office hymn was Vexilla regis. This hymn is sung at Vespers throughout Passiontide and at the Mass of the Pre-Sanctified on Good Friday morning. The antiphon on the Magnificat and collect were proper to the Sunday. After the collect of the Sunday a commemoration of St. Benedict was sung. At Compline the Lesser Doxology was omitted from the short responsory as noted and the Dominical preces were omitted.

At Mattins the invitatory is Hodie, si vocem Domini audieritis, Nolite obdurare corda vestra from Ps. 94 and a special rubric indicates the omission of that verse in the psalm. The hymn is Pange, lingua ...Lauream. The same invitatory and hymn are sung from today until the Sacred Triduum in the Office of the Season. The antiphons given in the Psalter for Sundays are sung. In the first nocturn the lessons are the Incipit of the book of Jeremiah. In the second nocturn the lessons are taken from the ninth sermon on Lent by St. Leo the Great. In the third nocturn the lessons are a homily of St. Gregory on St. John's Gospel. The Te Deum is omitted as on other Lenten Sundays and a ninth responsory, Quis dabit capiti, sung in its place. At Lauds the antiphons, Vide Dominum etc., are proper to the Sunday and the second scheme of Psalms sung (50, 117, 62, Benedictus es & 148). The chapter is proper to the Sunday and office hymn is Lustra sex. After the collect of the Sunday a comemoration of St. Benedict is sung.

At Prime and the Hours the antiphons, Ego daemoninum etc., are proper to the Sunday. At Prime the psalms are 92, 99 (displaced from Lauds) and 118(i) & 118(ii). At Prime the Dominical preces are omitted.

Mass is sung after Terce. The ministers wear folded chasubles. The Gloria is not sung. The second collect is of St. Benedict. There is no third collect in Passiontide. As usual in Lent a Tract is sung after the Gradual. The Creed is sung, the preface is of the Cross and the dismissal is Benedicamus Domino sung by the deacon whilst facing the celebrant and altar.

At Vespers the antiphons and psalms of Sunday are sung. The Office hymn is Vexilla regis. After the collect of the Sunday a commemoration of St. Benedict is sung. At Compline the Dominical preces are omitted.

In the 'liturgical books of 1962' Passion Sunday becomes re-branded as 'First Sunday of the Passion'. Vespers were sung yesterday in the afternoon as at any other time of the year. There are no commemorations at either Vespers. Mattins is reduced down to the usual single nocturn of three lessons. There were no commemorations at Lauds. At Prime the psalmody is Ps. 53, 118(i) & 118(ii) as on feasts. At Mass the ministers wear dalmatic and tunicle instead of folded chasubles, there is only a single collect and the dismissal is Ite, missa est.

Art: Jerome Nadal