Septuagesima Sunday

Septuagesima is a semi-double Sunday of the second class and its liturgical colour is violet.

Yesterday afternoon the liturgical mood became more sombre as penitential violet became the liturgical colour of the season. Although more sombre than the season after the Epiphany the short season of Septuagesima is not as penitential as Lent. However, at Mass the ministers do not wear folded chasubles but dalmatic and tunicle for these three Sundays and for ferial days. The organ is still played until Ash Wednesday and the appearance of folded chasubles. However, from Septuagesima until Holy Saturday the dress of some prelates changed. Cardinals of the Court of Rome exchanged their scarlet choir dress for that of violet. Correspondingly bishops did not wear violet choir dress but their black, or mourning dress. Protonotaries Apostolic and Domestic Prelates do not change their choir dress (except sede vacante).

At Vespers yesterday afternoon the antiphons and psalms of Saturday were sung. The chapter was proper to Septuagesima Sunday and the Office hymn was Jam sol recedit igneus. After the collect of the Sunday commemorations were sung of the preceding Office of St. John Chrysostom, St. Peter Nolasco and of St. Agnes' second feast. The Suffrage was omitted. At the end of Vespers Alleluia was added, twice, to both Benedicamus Domino and to its response. After that Alleluia will not be heard again until the Vesperal Liturgy of Holy Saturday. At Compline after the Lesser Doxology, and at all Hours until Compline on Holy Saturday, Laus tibi Domine Rex aeterne gloriae is sung in place of Alleluia. At Compline the Dominical preces were omitted.

At Mattins the invitatory is Praeoccupemus and the Office hymn Primo die. The antiphons and psalms are as on previous 'green' Sundays. In the first nocturn the Incipit of the Book of Genesis is read. In the second nocturn the lessons are from the Enchiridion of St. Augustine, in the third nocturn the lessons are a homily from St. Gregory on the Gospel of the labourers in the vineyard. The Te Deum is not sung but in its place is sung a ninth responsory, Ubi est Abel frater tuus?.

At Lauds the 'second scheme' of psalms is sung: Pss 50, 117, 62, Canticle of the Three Children (Benedictus es) and 148. The antiphons at Lauds are proper to the Sunday as are the versicle after the Office hymn Aeterne, chapter, antiphon at the Benedictus and collect. After the collect of the Sunday commemorations are sung of St. Peter Nolasco and of St. Agnes. The Suffrace is omitted.

At the Hours the antiphons and chapters are proper. At Prime the order of psalmody is changed and four psalms are sung, Pss. 92, 99 (displaced from Lauds) and the usual first two stanzas of Ps. 118. Quicumque is omitted as are the Dominical preces.

At Mass the Gloria is omitted. The ministers wear violet dalmatic and tunicle. The second collect is of St. Peter Nolasco, the third collect is of St. Agnes. A Tract replaces the Alleluia after the Gradual, the Creed is sung and the Preface is of the Blessed Trinity. Benedicamus Domino is sung, by the deacon facing the altar, as the dismissal.

At Vespers the antiphons and psalms of Sunday (109, 110, 111, 112 & 113) are sung. The Office hymn is Lucis creator. After the collect of the Sunday commemorations are sung of the following feast of St. Francis de Sales and of St. Peter Nolasco. The Suffrage is omitted as are the Dominical preces at Compline.

In the 'liturgical books of 1962' there are no commemorations at either Vespers. Mattins is reduced to a single nocturn. At Prime the arrangement of psalms is truly bizarre with the festal arrangment of Pss. 53, 118i, 118ii. At Mass there is only one collect and Benedicamus Domino is suppressed in favour of Ite, missa est.

Art: Jerome Nadal