Passion Sunday

Passion Sunday is the fifth and penultimate Sunday in Lent. It is a semi-double Sunday of the first class and its liturgical colour is violet.

The most apparent and visually striking feature of this Sunday is the Roman practice of veiling all crosses and images with violet cloth. The custom seems to have developed from the words in the day's Gospel 'Jesus autem abscondit se' - but Jesus hid himself. The veiling takes place after Mass on Saturday morning before Vespers are sung. The praxis should not be confused with that of Lenten Array where holy images were covered in off-white linen or cloth from the very beginning of Lent. From Vespers along with the veiling, the liturgy takes on certain more penitential aspects that belong to Passiontide. The Gloria Patri is omitted from the invitatory of Mattins, from the responsories of Mattins and from the short responsories of the Hours. It is also omitted from the Asperges ceremony before Mass on both Passion Sunday and on Palm Sunday. In Masses 'of the season' Gloria Patri is also omitted from the introit and Lavabo along with the psalm Judica me Deus. The Suffrage of the Saints is also omitted at Vespers and at Lauds until after Trinity Sunday.

At Vespers, yesterday morning, the antiphons and psalms were those of Saturday, the chapter was proper to Passion Sunday. The Office hymn was Vexilla regis. This hymn is sung at Vespers throughout Passiontide and at the Mass of the Pre-Sanctified on Good Friday morning. The antiphon on the Magnificat and collect were proper to the Sunday. At Compline the Lesser Doxology was omitted from the short responsory as noted and the Dominical preces were sung.

At Mattins the invitatory is Hodie, si vocem Domini audieritis, Nolite obdurare corda vestra from Ps. 94 and a special rubric indicates the omission of that verse in the psalm. The hymn is Pange, lingua ...Lauream. The same invitatory and hymn are sung from today until the Sacred Triduum in the Office of the Season. The antiphons given in the Psalter for Sundays are sung. In the first nocturn the lessons are the Incipit of the book of Jeremiah. In the second nocturn the lessons are taken from the ninth sermon on Lent by St. Leo the Great. In the third nocturn the lessons are a homily of St. Gregory on St. John's Gospel. The Te Deum is omitted as on other Lenten Sundays and a ninth responsory, Quis dabit capiti, sung in its place. At Lauds the antiphons, Vide Dominum etc., are proper to the Sunday and the second scheme of Psalms sung (50, 117, 62, Benedictus es & 148). The chapter is proper to the Sunday and office hymn is Lustra sex.

At Prime and the Hours the antiphons, Ego daemoninum etc., are proper to the Sunday. At Prime the psalms are 92, 99 (displaced from Lauds) and the first two divisi of Ps. 118. At Prime the Dominical preces are sung.

Mass is sung after Terce. The ministers wear folded chasubles. The Gloria is not sung. The second collect is Ecclesiae or for the pope. There is no third collect in Passiontide. As usual in Lent a Tract is sung after the Gradual. The Creed is sung, the preface is of the Cross and the dismissal is Benedicamus Domino sung by the deacon whilst facing the celebrant and altar.

At Vespers the antiphons and psalms of Sunday are sung. The Office hymn is Vexilla regis. At Compline the Dominical preces are sung.

In the 'liturgical books of 1962' Passion Sunday becomes re-branded as 'First Sunday of the Passion'. Mattins is reduced down to the usual single nocturn of three lessons. At Prime the psalmody is Ps. 53, 118i & 118ii as on feasts. The Dominical preces at Prime and Compline have been abolished. At Mass there is only a single collect and the dismissal is Ite, missa est. The ministers wear dalmatic and tunicle instead of folded chasubles.

Art: Jerome Nadal

Ordo orders - temporary suspension

Unfortunately, due the current movement restrictions in place to reduce the transmission of Covid-19, it will not be possible to despatch any new orders for the Ordo at this time

At this time of the year only occasional orders come through and indeed there are only a few copies left. However, we apologise for any inconvenience caused and ask customers to be understanding at this time of crisis.

Let us all pray for an end to this pestilence which afflicts us.

Fourth Sunday in Lent

The fourth Sunday in Lent is known as Laetare Sunday after the opening words of the Introit at its Mass Laetare, Jerusalem - Rejoice Jerusalem - and is also known as 'mid-Lent' Sunday and is also 'Mothering Sunday' in many countries including the United Kingdom. It is a semi-double Sunday of the first class. The distinguishing feature of this Sunday, in relatively modern times, is the permitted, though not by any measure of obligation, use of rose-coloured vestments. Rose is perceived as a lighter shade of violet and the use of rose vestments developed from the older praxis of a golden rose being given to female monarchs by the pope on this day. Cardinals of the Court of Rome wore rose watered-silk choir dress too on this Sunday along with the corresponding Gaudete Sunday in Advent. For the rest of Lent Cardinals wore their 'winter violet' merino cassock, mantelletum and mozzeta (not the violet watered silk of their 'summer' violet). This practice disappeared during the 1920s. There is no obligation to wear rose and the older praxis of violet vestments, with the deacon and subdeacon in dalmatic and tunicle respectively, not folded chasubles, may be maintained.

At Vespers yesterday morning the antiphons and psalms of Saturday were sung. The Office hymn was Audi benigne conditor. After the collect of the Sunday a commemoration was sung of the preceding Office of St. Benedict. The Suffrage of the Saints was omitted as were the Dominical preces at Compline.

At Mattins the invitatory is, as on the previous Sundays of Lent, Non sit vobis and the Office hymn is Ex more. The antiphons given in the Psalter for Sundays are sung. In the first nocturn the lessons are from Exodus and the story of Moses and the Burning Bush. In the second nocturn the lessons are from the writings of St. Basil the Great on fasting and in the third nocturn the lessons are a homily of St. Augustine on St. John's Gospel. At Lauds the antiphons, Tunc acceptabis etc., are proper to the Sunday and the second scheme of Psalms sung (50, 117, 62, the canticle Benedictus es, 148). The chapter is proper to the Sunday and hymn is O sol salutis. After the collect of the Sunday the Suffrage of the Saints is sung.

At Prime and the Hours the antiphons, Accepit ergo etc., are proper to the Sunday. At Prime the psalms are 92, 99 (displaced from Lauds) and the first two divisi of Ps. 118. The Dominical preces are sung and the short lesson is Quaerite Dominum.

Mass is sung after Terce. The Gloria is not sung. The second collect is A cunctis, the third collect Omnipotens. A Tract is sung after the Gradual, the Credo is sung, the preface is of Lent and the dismissal is Benedicamus Domino, sung by the deacon facing the celebrant and altar. As folded chasubles are not worn the organ may be played. As noted above violet vestments may be used in the absence of rose, or in preference to it, in which case the deacon and subdeacon wear the dalmatic and tunicle not folded chasubles.

Vespers are of the Sunday. Pss. 109, 110, 111, 112 & 113 are sung. The Office hymn is Audi benigne Conditor. After the collect of the Sunday the Suffrage of the Saints is sung. At Compline the Dominical preces are sung.

In the 'liturgical books of 1962' Vespers yesterday were sung at the same time as outside of Lent. There are no commemorations nor Suffrage at Vespers. Mattins is cut down to a single nocturn of three lessons. At Lauds the Suffrage is omitted. At Prime the psalms are 53 and the first two divisi of Ps. 118. The preces are omitted. At Mass there is only a single collect. The dismissal is Ite, missa est.

Art: Jerome Nadal

Notes on the addition of Votive Collects at Low Masses

With the Coronavirus pandemic there has been discussion on sites such as the New Liturgical Movement of the possibility of orationes imperatae being added to Masses. These are prayers, or a single prayer, added to Masses for a serious cause commanded by the Ordinary of the place. Without the command of the Ordinary, or general decree, it is not licit for any celebrant to add such prayers to the Mass.

However, what is possible, and without the need for any special permission is the addition of votive prayers to most Masses of simple rite including the majority of the ferial days of Lent and Passiontide. One of the areas of the application of the rubrics of the traditional liturgy that is not understood by many, or is indeed unknown, is the option for the celebrant of private Masses to add additional collects (and of course their corresponding secrets and post-communion orations) to those prescribed by the rubrics and Ordo.

R.G IX, 12 & 14 and Additiones VI, 6 are the foundation for this praxis. The votive collects can only be added in private, i.e. in this context private means said, not sung, Masses and non-Conventual Masses only on feasts of simple rite and ferial days which are not privileged (i.e. not on Ash Wednesday, or the Monday, Tuesday or Wednesday of Holy Week). The basic rules are the total number of orations must not exceed seven and that the total number must be uneven i.e. three, five or seven. Additionally, if (outside of Paschaltide) a prayer for the Dead is chosen it must occupy the penultimate place.

These prayers may come from the Sanctoral section of the missal, from the series of Votive Masses to be found after the Commons or from the Orationes Diversae at the back of the Missal. When these additional votive collects are added those from the Sanctoral are said before those from the Votive Masses (if two from the Sanctoral are chosen their relative order follows the precedence of the chosen saints in the Litany) and those from Votive Masses before those from the Orationes Diversae.

To take an example. On Friday of this week the second collect prescribed by the rubrics is A cunctis and the third collect is Omnipotens. So on Friday the celebrant may add either two additional votive collects or four but not one or three. If the Ordinary has prescribed orationes imperatae these are included in the total and cannot be omitted. Presuming there are no orationes imperatae our example might look like this:

Oremus

Collect of the day with conclusion

Oremus [before the 2nd collect only]

2nd Collect A cunctis... [No conclusion]

3rd Collect Omnipotens... [No conclusion]

4th Collect St. George Deus, qui nos beati Georgii.. [No conclusion]

5th Collect Votive Mass for any Necessity Ineffabilem misericordiam tuam... [No conclusion]

6th Collect For the Dead Fidelium... [No conclusion]

7th Collect For the Health of the Living Praetende, Domine, fidelibus... Conclusion

On a practical note, particularly for those celebrants unused to many orations at Mass, noting the series to be used on a sheet of paper along with the use of ‘PostIt’ notes discretely inserted in the Missal will help achieve a natural flow without hiatus.

Third Sunday in Lent

The third Sunday in Lent is a semi-double Sunday of the first class and its liturgical colour is violet. The Gospel pericope from St. Luke at Mattins and Mass recounts the LORD casting out evil from a demoniac.

At Vespers yesterday morning the antiphons and psalms of Saturday were sung. The chapter was proper to the Sunday and the Office hymn was Audi, benigne conditor. After the collect of the Sunday the Suffrage of the Saints was sung. At Compline the Dominical preces were sung.

At Mattins the invitatory is Non sit vobis and the Office hymn is Ex more, as on the other Sundays in Lent. The antiphons and psalms of Sunday are sung. In the first nocturn the lessons are from Genesis and the story of Joseph, his coat of many colours and his brothers casting him into a pit. In the second nocturn the lessons are taken from the Book of St. Augustine on Joseph. In the third nocturn the lessons are a homily of the Venerable Bede on St. Luke's Gospel. A ninth responsory, Lamentabatur Jacob, is sung in place of the Te Deum.

At Lauds the antiphons are proper to the Sunday, Fac benigne etc., sung with the second scheme of Psalms (50, 117, 62, Benedictus es, 148). The chapter is proper to the Sunday and the Office hymn is O sol salutis. After the collect of the Sunday the Suffrage of the Saints is sung.

At Prime and the Hours the antiphons are proper to the Sunday, Et cum ejecisset Jesus etc. At Prime the psalms are Pss. 92, 99 (displaced from Lauds) and the first two divisi of Ps. 118. The Dominical preces are sung.

Mass is sung after Terce. The deacon and subdeacon wear violet folded chasubles. There is no Gloria. The second collect is A cunctis and the third collect is Omnipotens. A Tract is sung after the Gradual, the Credo is sung, the preface is of Lent and the dismissal is Benedicamus Domino, sung by the deacon facing the altar and celebrant.

At Vespers the antiphons and psalms of Sunday are sung at the normal time. The Office hymn is Audi, benigne Conditor. After the collect of the Sunday the Suffrage of the Saints is sung. At Compline the Dominical preces are sung.

In 'liturgical books of 1962' Vespers which are sung in the afternoon as at any other time of the year. The Suffrage of the Saints has been abolished as have the Dominical preces at Prime and Compline. Mattins is cut down to a single nocturn of three lessons. At Prime the psalms are Ps.53 and the first two divisi of Ps.118. At Mass the ministers wear dalmatic and tunicle, as in Septuagesima etc. There is but a single collect and the dismissal is Ite, missa est.

Art: Jerome Nadal

Second Sunday in Lent

The second Sunday in Lent is a semi-double Sunday of the first class and its liturgical colour is violet. The Gospel pericopes from St. Matthew's Gospel give the account of the Transfiguration of the LORD.

At Vespers yesterday morning the antiphons and psalms of Saturday were sung. The chapter was proper to the Sunday and the Office hymn was Audi, benigne Conditor. After the collect of the Sunday commemorations were sung of the preceding Office of St. Thomas Aquinas and of St. John of God. The Suffrage of the Saints was omitted as were the Dominical preces at Compline.

At Mattins the invitatory is Non sit vobis and the Office hymn is Ex more. The antiphons and psalms given for Sunday are sung. In the first nocturn the lessons are from the twenty-seventh chapter of Genesis and the story of Jacob and Esau. In the second nocturn the lessons are taken from the book of St. Augustine against lying and explain the mystery of Jacob's actions. In the third nocturn the lessons are a homily of St. Leo the Great on the Transfiguration of the LORD. A ninth responsory, Cum audisset Jacob, is sung in place of the Te Deum.

At Lauds the antiphons Domine labia mea aperies etc are proper to the Sunday and are sung with the second scheme of Psalms (50, 117, 62, Benedictus es and 148). The chapter is proper to the Sunday and hymn is O sol salutis. After the collect of the Sunday a commemoration of St. John of God is sung. The Suffrage of the Saints is omitted.

At Prime and the Hours the antiphons are proper to the Sunday. At Prime the psalms are 92, 99 (displaced from Lauds) and the first two divisions of Ps. 118. The Dominical preces are omitted and the short lesson is Quaerite Dominum.

Mass is sung after Terce. The deacon and subdeacon wear violet folded chasubles. There is no Gloria. The second collect is of St. John of God. Today there is no the third collect. A Tract is sung after the Gradual, the Creed is sung, the preface is of Lent and the dismissal is Benedicamus Domino, sung by the deacon facing the altar.

At Vespers the antiphons and psalms (109, 110, 111, 112 & 113) are of Sunday. The Office hymn is Audi, benigne Conditor. After the collect of the Sunday commemorations are sung of the following feast of St. Frances of Rome and of St. John of God. The Suffrage of the saints is omitted as are the Dominical preces at Compline due to the concurring and occurring double feasts.

In the 'liturgical books of 1962' Vespers on Saturday are sung at the same time as any on other day of the year. There are no commemorations. Mattins is cut down to a single nocturn of three lessons. At Lauds there are no commemorations. At Prime the psalms are the festal arrangement of Ps. 53 and the first two divisions of Ps. 118. At Mass the ministers wear dalmatic and tunicle, as in Septuagesima, and there is only a single collect. The dismissal is Ite, missa est. At Vespers there are no commemorations.

First Sunday in Lent

The first Sunday in Lent is a semi-double Sunday of the first class. No feast can take precedence over it or any such Sunday. The liturgical colour of the Sunday is violet. At Mass, unlike in Septuagesima, the ministers wear the ancient vesture of folded chasubles rather than dalmatic and tunicle and the organ is silent (as has been the practice too since Ash Wednesday). The Gospel pericope at Mattins and Mass is St. Matthew's account of the LORD's temptation by Satan in the desert. Vespers yesterday morning marked the ancient beginning of Lent before the addition of Ash Wednesday and the intervening days. On these added days although certain penitential practices have entered the Liturgy such as the use folded chasubles and the ferial preces at the Hours the Office hymns etc were still those used in previous weeks. Vespers of the first Sunday in Lent mark the beginning of the Pars Verna, the Spring volume of the Breviary.

At Vespers yesterday morning the antiphons and psalms of Saturday were sung. The chapter was proper, Fratres: Hortamur vos, and the Office hymn was Audi, benigne Conditor. After the collect of the Sunday the Suffrage of the Saints was sung. At Compline the Dominical preces were sung.

At Mattins the invitatory is Non sit vobis and the hymn is Ex more. These are both used throughout the first four weeks of Lent. The antiphons and psalms given in the Psalter for Sundays are sung, as on previous Sundays. In the first nocturn the lessons are from the Second Letter of St. Paul to the Corinthians. In the second nocturn the lessons are taken from a sermon on Lent by St. Leo the Great and in the third nocturn the lessons are a homily of St. Gregory the Great on St. Matthew's account of the temptation of the LORD. As in Septuagesima there is no Te Deum but a ninth responsory, Angelis suis Deus mandavit de te.

At Lauds the antiphons are proper to the Sunday, Cor mundum etc., and the second scheme of Psalms is sung (50, 117, 62, Benedictus es, 148). The chapter is proper to the Sunday and hymn is O sol salutis. After the collect of the Sunday the Suffrage of the Saints is sung.

At Prime and the Hours the antiphons are proper to the Sunday, Jesus autem etc. At Prime the psalms are 92, 99 (displaced from Lauds) and the first two divisi of 118. The Dominical preces are sung and the short lesson is Quaerite Dominum. The Dominical preces are sung.

Mass is sung after Terce. As folded chasubles are worn by the ministers the organ is silent. The Gloria is not sung. The second collect is A cunctis and the third collect is Omnipotens. A Tract is sung after the Gradual, the Creed is sung, the preface is of Lent and the dismissal is Benedicamus Domino, sung by the deacon facing the celebrant and altar.

Vespers are of the Sunday, sung at the normal time (as Sundays are not fast days). The antiphons and psalms are those used on Sundays, the chapter is proper and the Office hymn is Audi, benigne Conditor. After the collect of the Sunday the Suffrage of the Saints is sung. At Compline the Dominical preces are sung.

In the 'liturgical books of 1962' Vespers on the weekdays of Lent are sung at the same time as during the rest of the Liturgical year. The Suffrage has been abolished. There were no preces at Compline. Mattins is cut down to a single nocturn of three lessons. At Lauds there is no Suffrage. At Prime the psalms are Ps. 53 and the first two divisi of Ps. 118 as on feasts, there are no Dominical preces. At Mass the ministers wear dalmatic and tunicle, as in Septuagesima. There is but a single collect. The dismissal is Ite, missa est. At Vespers the Suffrage is omitted as are the Dominical preces at Compline.

Art: Jerome Nadal