Second Sunday after Pascha

The second Sunday after Pascha is of semi-double rite and its liturgical colour is white. It is sometimes referred to as 'Good Shepherd Sunday' from the words of the Epistle from I Peter "For you were as sheep gone astray: but you are now converted to the shepherd and bishop of your souls" and from the Gospel where the LORD proclaims "I am the good shepherd. The good shepherd giveth his life for his sheep." The Sunday is also referred to as Misericordia after the opening words of the introit.

At Vespers yesterday afternoon the psalms of Vespers for Saturday were sung under the single antiphon, Alleluia. The chapter, Carissimi: Christus passus est pro nobis etc, was proper to the Sunday, the Office hymn was Ad regias Agni dapes. The antiphon on the Magnificat reinforced the theme of the Sunday, Ego sum pastor ovium. After the collect of the Sunday the Paschal Commemoration of the Cross was sung. At Compline Te lucis was sung to the Paschal tone with the Doxology Deo Patri sit gloria etc and the Dominical preces were sung.

At Mattins the invitatory, Surrexit Dominus, and Office hymn, Rex sempiterne, are sung as last Sunday. Again, at the nocturns the psalms are sung under one antiphon. In the first nocturn the lessons are from the Acts of the Apostles. In the second nocturn the lessons are taken from the first sermon on the Ascension of the Lord by St. Leo. In the third nocturn the homily is from St. Gregory. At Lauds the Sunday psalms (Pss. 92, 99, 62, Benedicite & 148) are sung under a single antiphon. The Office hymn is Aurora caelum purpurat. After the collect of the Sunday the Paschal Commemoration of the Cross is sung.

At the Hours the hymns are sung with the Paschal Doxology and the psalms are sung under a single antiphon consisting of a triple Alleluia. At Prime, Pss. 117, 118(i) & 118(ii), the Dominical preces are sung.

Mass is sung after Terce. The Gloria is sung, the second collect is Concede nos, the third collect is Ecclesiae etc. The Creed is sung and the preface is of Paschaltide.

At Vespers Pss.109, 110, 111, 112 & 113 are sung under the single antiphon Alleluia. The Office hymn is Ad regias Agni dapes. After the collect of the Sunday the Paschal Commemoration of the Cross is sung. At Compline the Dominical preces are sung.

In the 'liturgical books of 1962' the Paschal Commemoration of the Cross has been abolished. The Dominical preces at Prime and Compline have been abolished. At Compline and the Little Hours the hymns are sung with the ordinary Doxology. Mattins is cut down to a single nocturn of three lessons. At Mass there is but a single collect.

Art: Jerome Nadal

Dominica in Albis - Low Sunday

Dominica in Albis, Low Sunday, is a greater-double of the first class and its liturgical colour is white. The Sunday is also often referred to as Quasimodo from the first words of its introit. Anciently on this day, or on Saturday, those who had been baptised on Holy Saturday took off their white robes which had been worn since the Oil of Catechumens and Chrism had been lavished upon them on Holy Saturday. The Gospel at Mattins and Mass is the account of the LORD appearing in to His disciples behind the shut doors of the room and the doubting of St. Thomas. Indeed another name for the Sunday is 'Thomas Sunday'. The Office of the Octave of Pascha ended with the Office of None yesterday. Octaves for other feasts are resumed from today.

At Vespers yesterday afternoon the psalms of Saturday were sung under the single antiphon, Alleluia. Chapters and hymns return to the Office from this Vespers. The Paschaltide hymn Ad regias Agni dapes was sung. Its Doxology,Deo Patri sit gloria, Et Filio qui a mortuis, Surrexit ac Paraclito, In sempiterna saecula, is sung at all hymns of Iambic metre until the Ascension. From this Office the dismissal, Benedicamus Domino, is sung without the double Alleluia that marked the Paschal Octave. After the collect of the Sunday a commemoration was sung of St. Leo the Great. At Compline the Dominical preces were omitted.

At Mattins the invitatory Surrexit Dominus vere Alleluia continues to be sung. The Office hymn is Rex Sempiterne Caelitum. The psalms of each nocturn are sung under a single antiphon. In the first nocturn the antiphon is Alleluia, * lapis revolutus est, alleluia: ab ostio monumenti, alleluia, alleluia and the lessons are from the Epistle of St. Paul to the Colossians. In the second nocturn the antiphon is Alleluia, * quem quaeris mulier? alleluia, alleluia, viventem cum mortuis, alleluia, alleluia and the lessons are taken from a sermon of St. Augustine on the Octave of Easter. In the third nocturn the antiphon is Alleluia, * noli flere Maria, alleluia: resurrexit Dominus, alleluia, alleluia and the homily is from the writings of St. Gregory on St. John's Gospel. At Lauds Pss. 92, 99, 62, Benedicite & 148 are sung under a single antiphon, Alleluia, alleluia, alleluia. The Office hymn is Aurora caelum purpurat. The Suffrage is omitted.

At Prime, Pss. 117, 118(i) & 118(ii), and the Hours the psalms are again sung under a single antiphon at each Hour, Alleluia, * alleluia, alleluia - which is not doubled.

Mass is sung after Terce. The Gloria is sung. The Creed is sung and the preface is of Paschaltide (In hoc potissimum).

At Vespers the Dominical psalms are sung under a single antiphon Alleluia, alleluia, alleluia. The Office hymn is Ad regias Agni dapes. After the collect of the Sunday a commemoration of St. Hermenegild is sung. The Suffrage is omitted. At Compline the Dominical preces are omitted.

In the 'liturgical books of 1962' Mattins is reduced to a single nocturn of three lessons with the single antiphon Alleluia, lapis revolutus etc. At the Little Hours the Paschaltide Doxology is not sung with the hymns. At Mass there is a change to one word in the introit as 'rationabile' replaced 'rationabiles'. Vespers are of the Sunday.

Image: Jerome Nadal.

Dominica in Resurrectionis - Easter Sunday

Hac die quam fecit Dominus, Solemnitas solemnitatum, et Pascha nostrum Resurrectio Salvatoris nostri Jesu Christi secundum carnem.

These glorious words are sung, to the tone of the Passion, at Prime today at the reading of the Martyrology before the announcement of the day and moon for tomorrow.  Holy Pascha is a Double of the First Class with a privileged Octave of the First Order.

At the final stages of the Vesperal Liturgy of Holy Saturday yesterday morning an antiphon consisting of a triple Alleluia was sung, doubled, with psalm 116. The antiphon on the Magnificat, also doubled, was Vespere autem sabbati etc. After the Vesperal Liturgy the traditional blessing of houses takes place and, in some countries, the Paschal food.  Compline was sung, at the normal time. On Holy Saturday the Office of Compline has some interesting variations. It began with the usual Jube, domne, blessing, short lesson and confession. Converte nos, Deus, salutaris noster and its response were then sung followed by Deus in adjutorium etc with Alleluia for the first time since Septuagesima. The psalms were sung, without an antiphon, to a solemn form of tone 2. The hymn, chapter and responsory are omitted and Vespere autem sabbati sung as a fragment antiphon to the Nunc dimittis. After the Canticle the antiphon is sung in full. After the usual collect, Visita quaesumus, the antiphon Regina Caeli is sung with its versicle and collect.

Mattins begin with the solemn tone for Deus in adjutorium etc. The invitatory is Surrexit Dominus vere Alleluia and psalm 94 is sung to a lovely tone 6 setting. Mattins consists of one nocturn of three psalms. There are no Office Hymns throughout the Octave (c.f. Monastic praxis). The first antiphon is Ego sum qui sum etc and sung with psalm 1. The second antiphon, Postulavi Patrem meum etc, is sung with psalm 2. The third antiphon, Ego dormivi etc, is sung with psalm 3. A versicle and its response are sung follwed by the absolution Exaudi etc. The first lesson has the Gospel fragment Mark 16: 1-7 and is followed by a homily of St. Gregory the Great. The two responsories Angelus Domini descendit and Cum transisset sabbatum are famous and intimately connected with the Quem quaeritis ceremonies. The second lesson, Notandum vero nobis est is sung followed by the second responsory. During the second responsory the cantors and the celebrant don copes the principal one pre-intones the Te Deum. Six pluvialistae assist the Hebdomadarius where possible. The Te Deum is then sung and, where it is the custom the bells ring throughout.

Lauds follow immediately and have a series of beautiful antiphons: Angelus autem Domini, Et ecce terraemotus, Erat autem, Prae timore autem ejus and Respondens autem Angelus all taking up the theme of the Angels, earthquake and empty tomb. Psalms 92, 99, 62, Benedicite & 148 are sung with these antiphons. The chapter, hymn, versicle and response are replaced by the Haec dies. After Haec dies the antiphon Et valde mane is sung and then the Benedictus sung to a solemn tone 8. During the Benedictus the altar, the choir and people are incensed in the normal manner. The antiphon is repeated and the collect of Easter, Deus, qui hodierna die sung. Benedicamus Domino, Alleluia, Alleluia and its response are followed by the solemn Regina Caeli, its versicle and collect.

The morning Office begins with Prime. Psalms 53, 118(i) & 118(ii) are sung to a solemn form of Tone 2. Haec Dies is sung after the psalmody and then everything else is omitted up to the collect Domine Deus omnipotens. The Martyrology is then sung, starting with the verse indicated above. Then Sancta Maria etc is sung, the collect Dirigere et sanctificare etc and the short lesson Si consurrexistis. Terce, and the other Little Hours, are even more simple in their structure. At Terce, Sext and None the usual stanzas of Ps. 118 are sung to the special form of Tone 2 followed by Haec dies and the collect of the day.

Mass is sung after Terce. Instead of Asperges me the Paschaltide Vidi aquam is sung today and all other Sundays in Paschaltide. In the great Mass of Easter, Resurrexi, the Gloria is sung, one collect is sung. Haec dies is sung as the Gradual. The sequence Victimae paschali laudes is sung after the Alleluia. The Creed is sung and Ite missa est alleluia, alleluia is sung as the dismissal.

At Vespers the antiphons sung at Lauds, Angelus autem Domini etc, are are sung with the usual Sunday psalms. Haec dies is sung in place of the chapter, hymn and versicle & response. The solemn tone is used for Benedicamus Domino, alleluia, alleluia.

At Compline the usual psalms are sung to Tone 8G without any preceding antiphon, followed by an antiphon consisting of Alleluia, alleluia, alleluia, alleluia. This is followed by the Nunc dimittis sung to the Paschal Tone 2. Haec dies is then sung followed by the collect Visita quaesumus etc and then, as yesterday the antiphon Regina coeli etc.

In the 'liturgical books of 1962' yesterday afternoon a novel Vespers, created in 1956, in said, not sung, with unlit candles. It follows the form used on Mandy Thursday and Good Friday but substituting the first antiphon Calicem salutaris with Hodie aflictus.  The antiphon on the Magnificat is newly crafted from Mt. 27: 62, 66 Principes sacerdotum (c.f. IX responsory Mattins of Holy Saturday) and the new collect used at Mattins & Lauds and the Hours of Holy Saturday is used again at Vespers. Compline is said by those who do not take part in the nocturnal shenanigans of the Easter Vigil. Compline has the same structure as on Mandy Thursday and Good Friday but the collect Visita, quaesumus replaces Respice. There is no Regina Caeli and the Offices are in the same penitential spirit as those of Mandy Thursday and Good Friday. Those, fortunate enough, not to take part in the Easter Vigil say Mattins & Lauds. For those who do attend it the novel Easter Vigil replaces Compline, Mattins & Lauds so the Queen of Feasts, as Gregory DiPippo has pointed out, becomes the only feast of the Liturgical Year - and the greatest feast of all - not to have first Vespers, Mattins, proper Lauds or the Te Deum.  The rest of the day is, thankfully, free from further significant changes.

Dominica in Palmis - Palm Sunday

Palm Sunday is a privileged semi-double Sunday of the first class and the sixth, and last, Sunday in Lent. Its liturgical colour is violet. No feast can take its place. In the Roman rite Palm Sunday, in its traditional form, is a truly magnificent day with the splendid solemn blessing of Palms and Procession before the principal Mass. These ceremonies along with the Mass that follows symbolically prefigure the events of the week ahead.

At Vespers yesterday morning the antiphons and psalms of Saturday were sung. The chapter, from Philippians, Fratres: Hoc enim senite was proper to the Sunday. The Office hymn was Vexilla regis. The antiphon on the Magnificat: Pater juste, and the collect, were both proper to Palm Sunday.  After the collect of the Sunday a commemoration of St. John Capistran was sung. At Compline, sung at the usual time, the Dominical preces were sung.

At Mattins At Mattins the invitatory is Hodie, si vocem Domini audieritis, Nolite obdurare corda vestra and the Office hymn is Pange, lingua ...Lauream. In the first nocturn the lessons are from the book of Jeremiah the Prophet. In the second nocturn the lessons are a sermon of St. Leo the Great and in the third a homily of St. Ambrose. The The Deum is not sung but a ninth responsory, Circumdederunt me viri mendaces etc., is sung in its place. At Lauds the proper antiphons, Dominus Deus etc., are sung with the second scheme of Psalms  (50, 117, 62, Benedictus es, 148). The chapter is proper to the Sunday and the Office hymn is Lustra sex.

At Prime and the Hours the antiphons are proper to the Sunday, Pueri Hebraeorum etc. At Prime, Pss 92, 99 (displaced from Lauds) and 118(i) & 118(ii)  the Dominical preces are sung and the short lesson is Faciem meam. At Terce the antiphon is Pueri Hebraeorum vestimenta.  Both 'Pueri 'antiphons will be heard again shortly afterwards, in slightly different textual form, at the distribution of the Palms.

After Terce, before the principal Mass, the Asperges ceremony takes place as usual. The deacon and subdeacon wear violet folded chasubles. Being in Passiontide the Lesser Doxology is omitted after the verse of the Miserere. After the Asperges the celebrant and ministers proceed to the Epistle corner and begin the solemn blessing of Palms whilst the choir sing the antiphon Hosanna fili David, O Rex Israel etc. The rubrics direct that the Palms are to be blessed at the Epistle side of the altar.

As the choir sing the antiphon Hosanna Filio David the celebrant reads it in a low voice and then chants the collect Deus, quim diligere, in the ferial tone, which is then followed by the reading of the Epistle and Gospel of the blessing. The normal ceremonies of High Mass are followed.The subdeacon removes his folded chasuble to sing the Epistle taken from the Book of Exodus. Following the Epistle two texts are given, Collegerunt pontifices and In monte Oliveti (the latter will appear again as a responsory during the Triduum) to be sung as a 'gradual', both may be sung. Following the Gospel the deacon resumes his folded chasuble and the collect Auge fidem is sung followed by a preface, Sanctus and four further collects Deus, qui dispersa, Deus, qui miro, Deus, qui per olivae and Benedic quaesumus. The presence of a preface is indicative of the solemn blessing (c.f. the great blessing of waters at Epiphany, the blessing of Holy Oils etc). The collect Deus, qui miro is a didactic masterpiece. Readers will note the strong correlation between the text of the collect and of the second lesson of Mattins for the Saturday before Palm Sunday from St. Augustine:

O God, who, by the wonderful order of Thy disposition, hast been pleased to manifest the dispensation of our salvation even from things insensible: grant, we beseech Thee, that the devout hearts of Thy faithful may understand to their benefit what is mystically signified by the fact that on this day the multitude, taught by a heavenly illumination, went forth to meet their Redeemer, and strewed branches of palms and olive at His feet. The branches of palms, therefore, represent His triumphs over the prince of death; and the branches of olive proclaim, in a manner, the coming of a spiritual unction. For that pious multitude understood that these things were then prefigured; that our Redeemer, compassionating human miseries, was about to fight with the prince of death for the life of the whole world, and, by dying, to triumph. For which cause they dutifully ministered such things as signified in Him the triumphs of victory and the richness of mercy. And we also, with full faith, retaining this as done and signified, humbly beseech Thee, O holy Lord, Father almighty, everlasting God, through the same Jesus Christ our Lord, that in Him and through Him, whose members Thou hast been pleased to make us, we may become victorious over the empire of death, and may deserve to be partakers of His glorious Resurrection.

The celebrant then puts on incense and blesses it. The Palms are then sprinkled with lustral water, the celebrant saying in a low voice Asperges me etc, and then censed. Another collect, Deus, qui Filium is then sung. The celebrant then receives his Palm from the senior canon present. If no other priest is present the celebrant kneels and takes the Palm from the of the altar, kisses it then passes it to the subdeacon who places it again on the mensa. The celebrant then gives Palms to the deacon and subdeacon and other ministers and then the people. The Palm is kissed first and then the celebrant's hand. During the distribution the antiphons Pueri Hebraeorum and Pueri Hebraeorum vestimenta are sung. After the distribution the celebrant and ministers go back to the altar, bow to the Cross and then go to the Epistle corner where the celebrant's hands are washed. Then, at the missal, he sings the collect Omnipotens sempiterne.

Distribution of the Palms at a Pontifical Mass from the Caeremoniale Episcoporum

After the distribution of the Palms is complete the celebrant's hands are washed as the, veiled, Processional Cross is decorated with some of the blessed Palms. A Procession is then formed, led by the thurifer, followed by the subdeacon (of the Mass, not this day an additional subdeacon) bearing the Processional Cross. The deacon sings Procedamus in pace and the following antiphons are sung during the Procession Cum appropinquaret, Cum audisset, Ante sex dies, Occurrunt turbae, Cum angelis et pueris and Turba multa.

 

Before re-entering the church, Fribourg - New Liturgical Movement

Ideally, the Procession goes outside and around the church but circumstances may dictate the Procession must simply go around the aisles of the church. Towards the end of the Procession the cantors re-enter the church and the door is closed. The beautiful hymn of Theodolph Gloria, laus, et honor is then sung in alternation between the cantors inside the church and everyone else outside. At the end of the hymn the subdeacon, or Crucifer when there are no ministers, strikes the church door three times with the foot of the Processional Cross and the party re-enters the church to the singing of Ingrediente Domino.

The celebrant exchanges his cope for a chasuble. The prayers at the foot of the altar are said as at every traditional Mass but the psalm Judica me is omitted being in Passiontide. The introit is Domine, ne longe etc. There is no Gloria. Only the collect of the day is sung at Mass. Psalm 21 is sung in its entirety as a Tract. The major difference from any other Sunday is singing of the Passion according to St. Matthew by three additional deacons of the Passion. The text of the Passion is Matthew 26: 1-75; 27: 1-66. After the singing of the Passion the last part, Altera autem die...lapidem cum custodibus, is sung with the ceremonies of a Gospel by the deacon of the Mass (having removed his folded chasuble etc) to a most haunting tone.

 

The choir and people hold their Palms during the singing of the Passion. The Creed is sung, the preface is of the Cross and the dismissal is Benedicamus Domino, sung by the deacon facing the celebrant and altar. Sext and None again have proper antiphons, Tibi revelavi etc and Invocabo etc respectively.

At Vespers the antiphons and psalms of Sunday are sung. The chapter is Hoc enim senite and the Office hymn is Vexilla regis.  At Compline the Dominical preces are sung.

In the 'liturgical books of 1962' Palm Sunday has been given a radical 'makeover' to the extent that the official title of the day has even been changed to 'Second Sunday of the Passion or Palm Sunday'. Vespers were sung yesterday in the afternoon as at any other time of the year. Mattins is cut down to the usual single nocturn of three lessons. At Lauds there are no commemorations. At Prime the psalmody is Ps. 53, 118(i) & 118(ii) as on feasts and as will be sung on the Queen of Feasts a week hence. 

At the, massively, truncated blessing of Palms the ministers wear red dalmatic and tunicle instead of folded chasubles, the prayers at the foot of the altar are omitted and the Passion is curtailed to Matthew 26: 36-75, 27: 1-60 thus omitting 35 verses from the beginning and 6 from the end.  In an excellent series of articles on the reforms Gregory DiPippo details what is omitted from the Passion narrative:

 'The verses removed from the beginning of St Matthew’s Passion recount the conspiracy of the elders and chief priests against the Lord, the anointing of His feet at Bethany, Judas’ betrayal, the preparation and celebration of the Last Supper, the Institution of the Eucharist, the departure to the Mount of Olives, and the prediction of Peter’s betrayal. The verses removed from the end recount the placing of the guard at the tomb, which is not in any of the other Gospels.' 

The dismissal is Ite, missa est and the last Gospel is omitted. (In Masses without the blessing of Palms the Gospel for the blessing Cum appropinquasset Jesus is read as a proper last Gospel (the only surviving proper last Gospel in the 'liturgical books of 1962'). For those interested in the depressing details of the catalogue of destruction of what turned a splendid day into a miserable event see this post here. The image below shows a typical blessing of Palms in the reformed rite, actually following its rubrics rather than dressing it up to lessen the damage, with the palms on a table versus populum etc.

 

Passion Sunday

Passion Sunday is the fifth and penultimate Sunday in Lent. It is a semi-double Sunday of the first class and its liturgical colour is violet.

The most apparent and visually striking feature of this Sunday is the Roman practice of veiling all crosses and images with violet cloth. The custom seems to have developed from the words in the day's Gospel 'Jesus autem abscondit se' - but Jesus hid himself. The veiling takes place after Mass on Saturday morning before Vespers are sung. The praxis should not be confused with that of Lenten Array, a much older praxis, where holy images were covered in off-white linen or cloth from the very beginning of Lent. From Vespers along with the veiling, the liturgy of the season takes on certain more penitential aspects that belong to Passiontide. The Gloria Patri is omitted from the invitatory of Mattins, from the responsories of Mattins and from the short responsories of the Hours. It is also omitted from the Asperges ceremony before Mass on both Passion Sunday and on Palm Sunday. In Masses 'of the season' Gloria Patri is also omitted from the introit and Lavabo along with the psalm Judica me Deus. The Suffrage of the Saints is also omitted at Vespers and at Lauds, in all Offices, until after Trinity Sunday.

At Vespers, yesterday morning, the antiphons and psalms of Saturday were sung, the chapter was proper to Passion Sunday. The Office hymn was Vexilla regis. This hymn is sung at Vespers throughout Passiontide and at the Mass of the Pre-Sanctified on Good Friday morning. The antiphon on the Magnificat and collect were proper to the Sunday. After the collect of the Sunday a commemoration of the preceding Office of St. Benedict was sung. At Compline the Lesser Doxology was omitted from the short responsory as noted and the Dominical preces were omitted.

At Mattins the invitatory is Hodie, si vocem Domini audieritis, Nolite obdurare corda vestra from Ps. 94 and a special rubric indicates the omission of that verse in the psalm. The hymn is Pange, lingua ...Lauream. The same invitatory and hymn are sung from today until the Sacred Triduum in the Office of the Season. The antiphons given in the Psalter for Sundays are sung. In the first nocturn the lessons are the Incipit of the book of Jeremiah. In the second nocturn the lessons are taken from the ninth sermon on Lent by St. Leo the Great. In the third nocturn the lessons are a homily of St. Gregory on St. John's Gospel. The Te Deum is omitted as on other Lenten Sundays and a ninth responsory, Quis dabit capiti, sung in its place. At Lauds the antiphons, Vide Dominum etc., are proper to the Sunday and the second scheme of Psalms is sung (50, 117, 62, Benedictus es & 148). The chapter is proper to the Sunday and office hymn is Lustra sex. 

At Prime and the Hours the antiphons, Ego daemoninum etc., are proper to the Sunday. At Prime, Pss.92, 99 (displaced from Lauds), 118(i) & 118(ii), the Dominical preces are sung.

Mass is sung after Terce. The ministers wear folded chasubles. The Gloria is omitted. The second collect is Ecclesiae etc/  There is no third collect in Passiontide. As usual in Lent a Tract is sung after the Gradual. The Creed is sung, the preface is of the Cross and the dismissal is Benedicamus Domino sung by the deacon whilst facing the celebrant and altar.

At Vespers the antiphons and psalms of Sunday are sung. The Office hymn is Vexilla regis which is sung at Vespers throughout Passiontide and at the Mass of the Pre-Sanctified on Good Friday morning. At Compline the Dominical preces are sung.

In the 'liturgical books of 1962' Passion Sunday becomes re-branded as 'First Sunday of the Passion'. Vespers were sung yesterday in the afternoon as at any other time of the year. There were no commemorations.  Mattins is reduced down to the usual single nocturn of three lessons. At Prime the psalmody is Ps. 53, 118(i) & 118(ii) as on feasts. The Dominical preces have been abolished. At Mass the ministers wear dalmatic and tunicle instead of folded chasubles, there is only a single collect and the dismissal is Ite, missa est.

Art: Jerome Nadal

Fourth Sunday in Lent

The fourth Sunday in Lent is known as Laetare Sunday after the opening words of the Introit at its Mass Laetare, Jerusalem - Rejoice Jerusalem - and is also known as 'mid-Lent' Sunday.  In many countries, including Great Britain and Ireland, is is also 'Mothering Sunday'. It is a semi-double Sunday of the first class.

The distinguishing feature of this Sunday is the absence of folded chasubles and the permitted, though not obligatory, use of rose-coloured vestments. Rose is perceived as a lighter shade of violet and the wider use of rose vestments developed from the older praxis of a golden rose being given to female monarchs by the Pope on this day. Cardinals of the Court of Rome wore rose watered-silk choir dress on this Sunday along with the corresponding Gaudete Sunday in Advent. For the rest of Lent Cardinals wore their 'winter violet' merino cassock, mantelletum and mozzeta (not the violet watered silk of their 'summer' violet). This practice disappeared at the Papal Court towards the end of the nineteenth century but continued with Cardinals at their titular churches until the 1920s.

At Vespers yesterday morning the antiphons and psalms of Saturday were sung. The Office hymn was Audi benigne conditor. After the collect of the Sunday the Suffrage of the Saints was sung. At Compline the Dominical preces were sung.

At Mattins the invitatory is, as on the previous Sundays of Lent, Non sit vobis and the Office hymn is Ex more. In the first nocturn the lessons are from Exodus and the story of Moses and the Burning Bush. In the second nocturn the lessons are from the writings of St. Basil the Great on fasting and in the third nocturn the lessons are a homily of St. Augustine on St. John's Gospel. At Lauds the antiphons, Tunc acceptabis etc., are proper to the Sunday sung with the psalms of the second scheme, 50, 117, 62, Benedictus es, & 148. The chapter is proper to the Sunday and Office hymn is O sol salutis. After the collect of the Sunday the Suffrage of the Saints is sung.

At Prime and the Hours the antiphons, Accepit ergo etc., are proper to the Sunday.  At Prime, Pss. 92, 99 (displaced from Lauds), 118(i) & 118(ii), the Dominical preces are sung and the short lesson is Quaerite Dominum.

Mass is sung after Terce. As folded chasubles are not worn the organ may be played. The ministers wear violet, or rose, dalmatic and tunicle. The Gloria is omitted, the second collect is A cunctis, the third collect is Omnipotens.  A Tract is sung after the Gradual, the Creed is sung, the preface is of Lent and the dismissal is Benedicamus Domino, sung by the deacon facing the celebrant and altar.

At Vespers, sung in the afternoon, the antiphons and psalms of Sunday (109, 110, 111, 112 & 113). The Office hymn is Audi, benigne Conditor. After the collect of the Sunday the Suffrage of the Saints is sung. At Compline the Dominical preces are sung.

In the 'liturgical books of 1962' Vespers were sung yesterday in the afternoon as at any other time of the year. The Suffrage of the Saints and Dominical preces have been abolished. Mattins is cut down to a single nocturn of three lessons. At Prime the psalms are 53, 118(i) & 118(ii) as on feasts. At Mass there is a single collect. The dismissal is Ite, missa est. 

Art: Jerome Nadal

Third Sunday in Lent

The third Sunday in Lent is a semi-double Sunday of the first class and its liturgical colour is violet. The Gospel pericopes from St. Luke at Mattins and Mass recounts the LORD casting out evil from a demoniac.

At Vespers yesterday morning the antiphons and psalms of Saturday were sung. The chapter was proper to the Sunday and the Office hymn was Audi, benigne Conditor. After the collect of the Sunday commemorations were sung of St. Thomas Aquinas and of St. John of God. The Suffrage of the Saints was omitted as were the Dominical preces at Compline.

At Mattins the invitatory is Non sit vobis and the Office hymn is Ex more, as on the other Sundays in Lent. The antiphons and psalms of Sunday are sung. In the first nocturn the lessons are taken from Genesis and the story of Joseph, his coat of many colours and his brothers casting him into a pit. In the second nocturn the lessons are taken from the Book of St. Augustine on Joseph. In the third nocturn the lessons are a homily of the Venerable Bede on St. Luke's Gospel. A ninth responsory, Lamentabatur Jacob, is sung in place of the Te Deum. At Lauds the antiphons are proper to the Sunday, Fac benigne etc., sung with the second scheme of Psalms (50, 117, 62, Benedictus es, 148). The chapter is proper to the Sunday and the Office hymn is O sol salutis. After the collect of the Sunday a commemoration of St. John of God is sung. The Suffrage of the Saints is omitted.

At Prime and the Hours the antiphons are proper to the Sunday, Et cum ejecisset Jesus etc. At Prime, Pss. 92, 99 (displaced from Lauds), 118(i) & 118(ii), the Dominical preces are omitted.

Mass is sung after Terce. The deacon and subdeacon wear violet folded chasubles. There Gloria is omitted. The second collect is of St. John of God. Today, there is no third collect. A Tract is sung after the Gradual, the Creed is sung, the preface is of Lent and the dismissal is Benedicamus Domino, sung by the deacon facing the altar and celebrant.

At Vespers the antiphons and psalms of Sunday (109, 110, 111, 112 & 113) are sung. The Office hymn is Audi, benigne Conditor. After the collect of the Sunday commemorations are sung of the following Office of St. Frances of Rome and of St. John of God. The Suffrage of the Saints is omitted as are the Dominical preces at Compline.

In 'liturgical books of 1962' Vespers yesterday were sung in the afternoon as at any other time of the year. There are no commemorations at either Vespers. Mattins is cut down to a single nocturn of three lessons. At Prime the psalms are Pss.53, 118(i) & 118(ii) as on feasts. At Mass the ministers wear dalmatic and tunicle, as in Septuagesima etc. There is but a single collect and the dismissal is Ite, missa est.

Art: Jerome Nadal