Second Sunday in Lent

The second Sunday in Lent is a semi-double Sunday of the first class and its liturgical colour is violet. The Gospel pericopes from St. Matthew's Gospel give the account of the Transfiguration of the LORD.

At Vespers yesterday morning the antiphons and psalms of Saturday were sung. The chapter was proper to the Sunday and the Office hymn was Audi, benigne Conditor. After the collect of the Sunday a commemoration of the preceding Office of St. Gabriel of Our Lady of Sorrows was sung. The Suffrage of the Saints was omitted as were the Dominical preces at Compline.

At Mattins the invitatory is Non sit vobis and the Office hymn is Ex more. The antiphons and psalms given for Sunday are sung. In the first nocturn the lessons are from the twenty-seventh chapter of Genesis and the story of Jacob and Esau. In the second nocturn the lessons are taken from the book of St. Augustine against lying and explain the mystery of Jacob's actions. In the third nocturn the lessons are a homily of St. Leo the Great on the Transfiguration of the LORD. A ninth responsory, Cum audisset Jacob, is sung in place of the Te Deum.

At Lauds the antiphons Domine labia mea aperies etc are proper to the Sunday and are sung with the second scheme of Psalms (50, 117, 62, Benedictus es and 148). The chapter is proper to the Sunday and hymn is O sol salutis. After the collect of the Sunday the Suffrage of the Saints is sung.

At Prime and the Hours the antiphons are proper to the Sunday. At Prime the psalms are 92, 99 (displaced from Lauds) and the first two divisions of Ps. 118. The Dominical preces are sung and the short lesson is Quaerite Dominum.

Mass is sung after Terce. The deacon and subdeacon wear violet folded chasubles. There is no Gloria. The second collect is A cunctis, the third collect is Omnipotens. A Tract is sung after the Gradual, the Creed is sung, the preface is of Lent and the dismissal is Benedicamus Domino, sung by the deacon facing the altar.

At Vespers the antiphons and psalms (109, 110, 111, 112 & 113) are of Sunday. The Office hymn is Audi, benigne Conditor. After the collect of the Sunday the Suffrage of the saints is sung. At Compline the Dominical preces are sung.

In the 'liturgical books of 1962' Vespers on Saturday are sung at the same time as any on other day of the year. There were no commemorations at Vespers. Mattins is cut down to a single nocturn of three lessons. The Suffrage of the Saints has been abolished. At Prime the psalms are the festal arrangement of Ps. 53, 118(i) & 118(ii) and the Dominical preces have been abolished. At Mass the ministers wear dalmatic and tunicle, as in Septuagesima, and there is only a single collect. The dismissal is Ite, missa est.

Art: Mosaic of the Transfiguration, St. Catherine's Monastery Sinai, Wikipedia.

First Sunday in Lent

The first Sunday in Lent is a semi-double Sunday of the first class. No feast can take precedence over it or any such Sunday. The liturgical colour of the Sunday is violet. At Mass, unlike in Septuagesima, the ministers wear the ancient vesture of folded chasubles rather than dalmatic and tunicle and the organ is silent (as has been the practice too since Ash Wednesday). The Gospel pericope at Mattins and Mass is St. Matthew's account of the LORD's temptation by Satan in the desert. Vespers yesterday morning marked the ancient beginning of Lent before the addition of Ash Wednesday and the intervening days. On these added days although certain penitential practices have entered the Liturgy such as the use folded chasubles and the ferial preces at the Hours the Office hymns etc were still those used in previous weeks. Vespers of the first Sunday in Lent mark the beginning of the Pars Verna, the Spring volume of the Breviary.

At Vespers yesterday morning the antiphons and psalms of Saturday were sung. The chapter was proper, Fratres: Hortamur vos, and the Office hymn was Audi, benigne Conditor. After the collect of the Sunday the Suffrage of the Saints was sung. At Compline the Dominical preces were sung.

At Mattins the invitatory is Non sit vobis and the hymn is Ex more. These are both used throughout the first four weeks of Lent. The antiphons and psalms given in the Psalter for Sundays are sung, as on previous Sundays. In the first nocturn the lessons are from the Second Letter of St. Paul to the Corinthians. In the second nocturn the lessons are taken from a sermon on Lent by St. Leo the Great and in the third nocturn the lessons are a homily of St. Gregory the Great on St. Matthew's account of the temptation of the LORD. As in Septuagesima there is no Te Deum but a ninth responsory, Angelis suis Deus mandavit de te.

At Lauds the antiphons are proper to the Sunday, Cor mundum etc., and the second scheme of Psalms is sung (50, 117, 62, Benedictus es, 148). The chapter is proper to the Sunday and hymn is O sol salutis. After the collect of the Sunday the Suffrage of the Saints is sung.

At Prime and the Hours the antiphons are proper to the Sunday, Jesus autem etc. At Prime the psalms are 92, 99 (displaced from Lauds) and 118(i) & 118(ii). The Dominical preces are sung and the short lesson is Quaerite Dominum.

Mass is sung after Terce. As folded chasubles are worn by the ministers the organ is silent. The Gloria is not sung. The second collect is A cunctis and the third collect is Omnipotens. A Tract is sung after the Gradual, the Creed is sung, the preface is of Lent and the dismissal is Benedicamus Domino, sung by the deacon facing the celebrant and altar.

Vespers are of the Sunday, sung at the normal time (as Sundays are not fast days). The antiphons and psalms are those used on Sundays, the chapter is proper and the Office hymn is Audi, benigne Conditor. After the collect of the Sunday commemorations are sung of the following Office of St. Peter's Chair at Antioch and of St. Paul the Apostle. The Suffrage of the Saints is omitted as are the Dominical preces at Compline.

In the 'liturgical books of 1962' Vespers on the weekdays of Lent are sung at the same time as during the rest of the Liturgical year. The Suffrage has been abolished. The Dominical preces have been abolished. Mattins is cut down to a single nocturn of three lessons. At Lauds there is no Suffrage. At Prime the psalms are Ps. 53, 118(i) & 118(ii) as on feasts. At Mass the ministers wear dalmatic and tunicle, as in Septuagesima. There is but a single collect. The dismissal is Ite, missa est. At Vespers there are no commemorations.

Art: Jerome Nadal

Quinquagesima Sunday

Quinquagesima Sunday is a semi-double of the second class and its liturgical colour is violet. The Gospel pericopes are taken from St. Luke and give the account of the giving of sight to the man born blind.

At Vespers yesterday afternoon the antiphons and psalms of Saturday were sung. The chapter was proper to Quinqugesima Sunday, Fratres: Si linguis hominum, and the Office hymn was Jam sol recedit igneus. The antiphon on the Magnificat and collect were also proper to Quinquagesima Sunday. After the collect of the Sunday a commemoration was sung of St. Valentine followed by the Suffrage of the Saints. At Compline the Dominical preces were sung.

At Mattins, as on the previous two Sundays, the antiphons and psalms are those used on Sundays throughout the year and the Office hymn is Primo die. In the first nocturn the lessons are again from Genesis and this Sunday concern the story of Abraham. In the second nocturn the lessons are from St. Ambrose on the Book on the Patriarch Abraham and in the third nocturn the lessons are a homily from St. Gregory on St. Luke's Gospel of the man blind from birth whose sight was restored by the LORD. The blind man is a figure of the human race according to St. Gregory. A ninth responsory, Caecus sedebat secus viam etc, is sung in place of the Te Deum.

At Lauds the 'second scheme' of psalms is sung: Pss. 50, 117, 62, Benedictus es and 148. The antiphons at Lauds are proper for Quinquagesima Sunday, Secundum multitudinem etc. The Office hymn is Aeterne. The antiphon at the Benedictus and the collect are proper to Quinquagesima. After the collect of the Sunday a commemoration of St. Valentine is sung followed by the Suffrage of the Saints.

At all the Hours the antiphons and chapters are proper to Quinquagesima Sunday. At Prime the order of psalmody is that used when the second scheme of Lauds is sung, i.e. Pss. 92, 99 (displaced at Lauds) and Ps. 118i & 118ii. The versicle in the short responsory at Prime is Qui natus es. The Dominical preces are sung.

At Mass the Gloria is omitted, the second collect is of St. Valentine, the third collect is A cunctis. A Tract is sung after the Gradual, the Credo is sung, the Preface is of the Blessed Trinity and Benedicamus Domino is sung as the dismissal by the deacon facing the altar.

At Vespers the antiphons and psalms of Sunday are sung, the chapter is proper to the Sunday as is the antiphon at the Magnificat. The Office hymn is Lucis creator. After the collect of the Sunday a commemoration of the following feast of SS Faustinus and Jovita is sung followed by the Suffrage of the Saints. At Compline the Dominical preces are sung.

In the 'liturgical books of 1962' there are no commemorations at either Vespers. The Suffrage of the Saints has been abolished as have the Dominical preces. At Mattins there is only a single nocturn. At Prime Pss. 53, 118i & 118ii are sung, as on festal days. At Mass there is a single collect and Benedicamus Domino is suppressed in favour of Ite, Missa est.

Art: Jerome Nadal

Sexagesima Sunday

Sexagesima Sunday is a semi-double Sunday of the second class and its liturgical colour is violet. The Sunday is characterised by a very lengthy Epistle from St. Paul's Latter Epistle to the Corinthians. The Gospel pericopes are from St. Luke and contain the parable of the sower with his seed landing on rock, amongst weeds and on the good ground.

At Vespers yesterday afternoon the antiphons and psalms of Saturday were sung. The chapter was proper to the Sunday, Fratres: Libenter suffertis, and the Office hymn was Jam sol recedit igneus. After the collect of the Sunday commemorations were sung of the preceding Office of St. Titus and of St. Romuald. The Suffrage of the Saints was omitted due to the double feasts as were the Dominical preces at Compline.

At Mattins the antiphons and psalms are from the Psalter for Sundays. In the first nocturn the lessons continue to be read from Genesis (Ch. 5 & 6), the beginning of the story of Noah. In the second nocturn the lessons are from St. Ambrose on Noah and the Ark and in the third nocturn the lessons are a homily from St. Gregory on the Gospel of the seed falling on good and poor ground. A ninth responsory, Cum turba plurima, is sung in place of the Te Deum.

At Lauds the 'second scheme' of psalms is sung: Pss 50, 117, 62, Canticle of the Three Children (Benedictus es) and 148. The antiphons at Lauds are proper for Sexagesima Sunday, Secundum magnam misericordiam etc as are the chapter and antiphon on the Benedictus. After the collect of the Sunday a commemoration of St. Romuald is sung. The Suffrage of the Saints is omitted.

At Prime the order of psalmody is Pss. 92, 99 (displaced at Lauds) 118i & 118ii. The Dominical preces are omitted. At the Hours the antiphons, Semen cecidit etc, and chapters are proper to Sexagesima Sunday.

Mass is sung after Terce. The Gloria is omitted, the second collect is of St. Romuald. Today there is no third collect. A Tract is sung after the Gradual, the Creed is sung, the Preface is of the Trinity and Benedicamus Domino is sung as the dismissal by the deacon facing the altar.

At Vespers the antiphons and psalms of Sunday (109, 110, 111, 112 & 113) are sung. The Office hymn is Lucis creator. After the collect of the Sunday commemorations are sung of the following feast of St. John of Matha and of St. Romuald. The Suffrage is omitted as are the Dominical preces at Compline.

In the 'liturgical books of 1962' there are no commemorations at either Vespers. Mattins is cut down to a single nocturn. At Prime the arrangement of psalmody is festive, Pss. 53, 118i, 118ii. At Mass there is single collect and Benedicamus Domino is suppressed in favour of Ite, missa est.

Art: Jerome Nadal