Sunday, 8 June 2014

Pentecost Sunday


Whitsun, the feast of Pentecost, is one of the greatest feasts in the Liturgical Year ranking next only to Pascha and, like the Queen of Feasts, is a Double of the First Class with a privileged Octave of the first order.

After the beautiful ceremonies of the Vigil yesterday morning First Vespers were sung in the afternoon. On this great feast the rubrics require the most solemn celebration of Vespers with the Hebdomadarius assisted by six pluvialistae in pariti. The solemn tone of Deus, in adjutorium is sung at Vespers, Mattins and at Lauds. The antiphons, Cum complerentur dies Pentecostes etc are proper and sung with psalms 109, 110, 111, 112 & 116. During the singing of the hymn, Veni, Creator Spiritus, all kneel during the first verse. All hymns have the Doxology Deo Patri sit gloria, Et Filio, qui a mortuis, Surrexit ac Paraclito, In saeculorum saecula. Veni Creator is sung in tone 8, the other hymns of the Office in tone 1. At Vespers there are no commemorations. At Compline Te lucis is sung as described above and the Dominical preces are omitted for the Octave.

Mattins for the feast, and Octave, is like Pascha in only having a single nocturn of three psalms and three lessons. The invitatory is Alleluia, Spiritus Domini replevit orbem terrarum, Venite adoremus Alleluia. The Office hymn is Jam Christus astra ascenderat. The antiphons Factus est etc are sung with psalms 47, 67 & 103. The lessons are from a homily of St. Gregory the Great on St. John's Gospel. At Lauds the antiphons, Cum complerentur dies Pentecostes etc, are the same as at Vespers and are sung with the Dominical psalms (Pss. 92, 99, 62, Benedicite & 148). The Office hymn is Beata nobis gaudia. There are no commemorations.

At Prime the festal psalms are sung (Pss. 53, 118i & 118ii)under the antiphon Cum complerentur. In the short responsory the versicle Qui sedes ad dexteram Patris, alleluia, alleluia is sung. The short lesson is Judaei quoque. At Terce instead of the usual hymn Nunc Sancte nobis the hymn Veni Creator is sung as it was at the third hour the Holy Ghost descended on the Apostles, as a Vespers the first verse is sung kneeling.

At Mass the Vidi aquam is sung for the last time this year and the aspersion takes place with Baptismal water taken after the blessing of the font yesterday (but before the infusion with Chrism!) The Gloria is sung and there is only one collect. After the Alleluia the beautiful sequence Veni, Sancte Spiritus is sung. The Credo is sung. The preface, Communicantes and Hanc igitur are proper to the feast and used throughout the Octave. According to the rubrics of the Gradulae four cantors lead the singing during Mass. In some places, particularly France, the practice found in so many medieval uses is followed where on great feasts the cantors wear copes and the Crucifer and acolytes tunicles.

At Second Vespers the antiphons Cum complerentur dies Pentecostes etc are sung with the Dominical psalms. The versicle and response and antiphon on the Magnificat are proper to Second Vespers. There are no commemorations.

Following the 'liturgical books of 1962' the hymns of Compline, Prime, Sext and None are sung to the solemn tone but do not have the Pentecost Doxology. The antiphons at the Little Hours are doubled.

4 comments:

The Rad Trad said...

A happy feast and octave to all!

John R said...

What Rad Trad said. Also, I have a question - the first antiphon for Vespers/Lauds has a textual variation between what is written in the Antiphonale/Liber vs. the Breviary (true in all editions I own from 1854 to 1961). Do you know why the Breviary text uses "cum" instead of "dum" (though both could be rendered to mean the same thing) and then the ending is "dicentes" vs. "eodem loco"? I'm finding myself using the musical text even in quiet recitation to be consistent.

glitterboy said...

Further to John R's comment (which was also puzzling me) the third antiphon at Lauds/Vespers in my pre-1962 Liber has one alleluia at the end but my 1962 Breviary has two alleluias at the end.

Rubricarius said...

JohnR & glitterboy,

Thank you for your interesting comments. I surmise that it is the result of the Solesmes revision.

A Ratisbon Antiphonale I have (1882) has Cum etc and two Alleluia added to the third antiphon. Likewise a Liber Usualis No. 567 (1904) which is early Solesmes. A 1912 Antiphonale has Dum etc and a single Alleluia as does an edition from 1949 and editions of the Liber No. 801 (1950) and 1962.