Dominica Pentecostes - Pentecost Sunday

The feast of Pentecost, or Whitsun - as it is known in English speaking lands from 'White Sunday' most likely a reference to the white albs the newly baptized at the Vigil would wear - is one of the greatest feasts in the Liturgical Year ranking next only to Pascha and, like the Queen of Feasts, is a Double of the First Class with a privileged Octave of the first order. The liturgical colour of the feast and its Octave is red.

Yesterday, after None, the beautiful and splendid ceremonies of the Vigil of Pentecost were celebrated with its six prophecies, blessing of the font, litany of the Saints and Vigil Mass. Some fine photographs of the rite can be found here. After the Vigil first Vespers of the feast were sung. The antiphons, Cum complerentur dies Pentecostes etc were sung, doubled, with psalms 109, 110, 111, 112 & 116. During the singing of the hymn, Veni, Creator Spiritus, all knelt during the first verse. All hymns of the feast and Octave have the Doxology Deo Patri sit gloria, Et Filio, qui a mortuis, Surrexit ac Paraclito, In saeculorum saecula. Veni Creator is sung in tone 8, the other hymns of the Office in tone 1. There were no commemorations, nor Commemoration of the Cross. At Compline the Dominical preces were omitted.

Mattins for the feast, and Octave, is like Pascha in only having a single nocturn of three psalms and three lessons. The invitatory is Alleluia, Spiritus Domini replevit orbem terrarum, Venite adoremus Alleluia. The Office hymn is Jam Christus astra ascenderat. The antiphons Factus est etc are sung with psalms 47, 67 & 103. The lessons are from a homily of St. Gregory the Great on St. John's Gospel. At Lauds the antiphons, Cum complerentur dies Pentecostes etc, are the same as at Vespers and are sung with Pss. 92, 99, 62, Benedicite & 148. The Office hymn is Beata nobis gaudia. There are no commemorations.

At Prime Pss.53, 118(i) & 118(ii) are sung under the antiphon Cum complerentur. In the short responsory the versicle Qui sedes ad dexteram Patris, alleluia, alleluia is sung. The short lesson is Judaei quoque. The Dominical preces are omitted. At Terce instead of the usual hymn Nunc Sancte nobis the hymn Veni Creator is sung as it was at the third hour the Holy Ghost descended on the Apostles, as at Vespers the first verse is sung kneeling.

At Mass the Vidi aquam is sung for the last time this year and the aspersion takes place with Baptismal water taken after the blessing of the font yesterday morning. The Gloria is sung and there is only one collect. After the Alleluia the beautiful sequence Veni, Sancte Spiritus is sung. The Creed is sung. The preface, Communicantes and Hanc igitur are proper to the feast and are used throughout the Octave.

At second Vespers the antiphons Cum complerentur dies Pentecostes etc are sung, doubled, with Pss. 109, 110, 111, 112 & 113. The Office hymn is Veni, Creator Spiritus. The versicle and response and antiphon on the Magnificat are proper to second Vespers. There are no commemorations.

Following the 'liturgical books of 1962' the magnificent ceremonies of the Vigil have been entirely abolished - no doubt as they would remind the faithful of the traditional form of Holy Saturday - although the Hanc igitur of the Mass of the Vigil still retains the clause '...on behalf of these whom Thou hast vouchsafed to bring to a new birth by water and the Holy Ghost..' even though the ancient baptismal rites have been abolished. At Compline and at the hymns of the Hours, except Terce, the ordinary Doxology is sung. The antiphons at the Little Hours are doubled.

Art: Jerome Nadal

Dominica in Resurrectionis - Easter Sunday

Hac die quam fecit Dominus, Solemnitas solemnitatum, et Pascha nostrum Resurrectio Salvatoris nostri Jesu Christi secundum carnem.

These glorious words are sung, to the tone of the Passion, at Prime today at the reading of the Martyrology before the announcement of the day and moon for tomorrow.  Holy Pascha is a Double of the First Class with a privileged Octave of the First Order.

At the final stages of the Vesperal Liturgy of Holy Saturday yesterday morning an antiphon consisting of a triple Alleluia was sung, doubled, with psalm 116. The antiphon on the Magnificat, also doubled, was Vespere autem sabbati etc. After the Vesperal Liturgy the traditional blessing of houses takes place and, in some countries, the Paschal food.  Compline was sung, at the normal time. On Holy Saturday the Office of Compline has some interesting variations. It began with the usual Jube, domne, blessing, short lesson and confession. Converte nos, Deus, salutaris noster and its response were then sung followed by Deus in adjutorium etc with Alleluia for the first time since Septuagesima. The psalms were sung, without an antiphon, to a solemn form of tone 2. The hymn, chapter and responsory are omitted and Vespere autem sabbati sung as a fragment antiphon to the Nunc dimittis. After the Canticle the antiphon is sung in full. After the usual collect, Visita quaesumus, the antiphon Regina Caeli is sung with its versicle and collect.

Mattins begin with the solemn tone for Deus in adjutorium etc. The invitatory is Surrexit Dominus vere Alleluia and psalm 94 is sung to a lovely tone 6 setting. Mattins consists of one nocturn of three psalms. There are no Office Hymns throughout the Octave (c.f. Monastic praxis). The first antiphon is Ego sum qui sum etc and sung with psalm 1. The second antiphon, Postulavi Patrem meum etc, is sung with psalm 2. The third antiphon, Ego dormivi etc, is sung with psalm 3. A versicle and its response are sung follwed by the absolution Exaudi etc. The first lesson has the Gospel fragment Mark 16: 1-7 and is followed by a homily of St. Gregory the Great. The two responsories Angelus Domini descendit and Cum transisset sabbatum are famous and intimately connected with the Quem quaeritis ceremonies. The second lesson, Notandum vero nobis est is sung followed by the second responsory. During the second responsory the cantors and the celebrant don copes the principal one pre-intones the Te Deum. Six pluvialistae assist the Hebdomadarius where possible. The Te Deum is then sung and, where it is the custom the bells ring throughout.

Lauds follow immediately and have a series of beautiful antiphons: Angelus autem Domini, Et ecce terraemotus, Erat autem, Prae timore autem ejus and Respondens autem Angelus all taking up the theme of the Angels, earthquake and empty tomb. Psalms 92, 99, 62, Benedicite & 148 are sung with these antiphons. The chapter, hymn, versicle and response are replaced by the Haec dies. After Haec dies the antiphon Et valde mane is sung and then the Benedictus sung to a solemn tone 8. During the Benedictus the altar, the choir and people are incensed in the normal manner. The antiphon is repeated and the collect of Easter, Deus, qui hodierna die sung. Benedicamus Domino, Alleluia, Alleluia and its response are followed by the solemn Regina Caeli, its versicle and collect.

The morning Office begins with Prime. Psalms 53, 118(i) & 118(ii) are sung to a solemn form of Tone 2. Haec Dies is sung after the psalmody and then everything else is omitted up to the collect Domine Deus omnipotens. The Martyrology is then sung, starting with the verse indicated above. Then Sancta Maria etc is sung, the collect Dirigere et sanctificare etc and the short lesson Si consurrexistis. Terce, and the other Little Hours, are even more simple in their structure. At Terce, Sext and None the usual stanzas of Ps. 118 are sung to the special form of Tone 2 followed by Haec dies and the collect of the day.

Mass is sung after Terce. Instead of Asperges me the Paschaltide Vidi aquam is sung today and all other Sundays in Paschaltide. In the great Mass of Easter, Resurrexi, the Gloria is sung, one collect is sung. Haec dies is sung as the Gradual. The sequence Victimae paschali laudes is sung after the Alleluia. The Creed is sung and Ite missa est alleluia, alleluia is sung as the dismissal.

At Vespers the antiphons sung at Lauds, Angelus autem Domini etc, are are sung with the usual Sunday psalms. Haec dies is sung in place of the chapter, hymn and versicle & response. The solemn tone is used for Benedicamus Domino, alleluia, alleluia.

At Compline the usual psalms are sung to Tone 8G without any preceding antiphon, followed by an antiphon consisting of Alleluia, alleluia, alleluia, alleluia. This is followed by the Nunc dimittis sung to the Paschal Tone 2. Haec dies is then sung followed by the collect Visita quaesumus etc and then, as yesterday the antiphon Regina coeli etc.

In the 'liturgical books of 1962' yesterday afternoon a novel Vespers, created in 1956, in said, not sung, with unlit candles. It follows the form used on Mandy Thursday and Good Friday but substituting the first antiphon Calicem salutaris with Hodie aflictus.  The antiphon on the Magnificat is newly crafted from Mt. 27: 62, 66 Principes sacerdotum (c.f. IX responsory Mattins of Holy Saturday) and the new collect used at Mattins & Lauds and the Hours of Holy Saturday is used again at Vespers. Compline is said by those who do not take part in the nocturnal shenanigans of the Easter Vigil. Compline has the same structure as on Mandy Thursday and Good Friday but the collect Visita, quaesumus replaces Respice. There is no Regina Caeli and the Offices are in the same penitential spirit as those of Mandy Thursday and Good Friday. Those, fortunate enough, not to take part in the Easter Vigil say Mattins & Lauds. For those who do attend it the novel Easter Vigil replaces Compline, Mattins & Lauds so the Queen of Feasts, as Gregory DiPippo has pointed out, becomes the only feast of the Liturgical Year - and the greatest feast of all - not to have first Vespers, Mattins, proper Lauds or the Te Deum.  The rest of the day is, thankfully, free from further significant changes.

Dominica Pentecostes - Pentecost Sunday

The feast of Pentecost, or Whitsun - as it is known in English speaking lands from 'White Sunday' most likely a reference to the white albs the newly baptized at the Vigil would wear - is one of the greatest feasts in the Liturgical Year ranking next only to Pascha and, like the Queen of Feasts, is a Double of the First Class with a privileged Octave of the first order. The liturgical colour of the feast and its Octave is red.

Yesterday, after None, the beautiful and splendid ceremonies of the Vigil of Pentecost were celebrated with its six prophecies, blessing of the font, litany of the Saints and Vigil Mass. Some fine photographs of the rite can be found here. In the afteroon first Vespers of the feast were sung with the solemn tone of Deus, in adjutorium which is also used at Mattins and at Lauds. The antiphons, Cum complerentur dies Pentecostes etc were sung, doubled, with psalms 109, 110, 111, 112 & 116. During the singing of the hymn, Veni, Creator Spiritus, all knelt during the first verse. All hymns of the feast and Octave have the Doxology Deo Patri sit gloria, Et Filio, qui a mortuis, Surrexit ac Paraclito, In saeculorum saecula. Veni Creator is sung in tone 8, the other hymns of the Office in tone 1. There were no commemorations. At Compline the Dominical preces are omitted for the Octave.

Mattins for the feast, and Octave, is like Pascha in only having a single nocturn of three psalms and three lessons. The invitatory is Alleluia, Spiritus Domini replevit orbem terrarum, Venite adoremus Alleluia. The Office hymn is Jam Christus astra ascenderat. The antiphons Factus est etc are sung with psalms 47, 67 & 103. The lessons are from a homily of St. Gregory the Great on St. John's Gospel. At Lauds the antiphons, Cum complerentur dies Pentecostes etc, are the same as at Vespers and are sung with the Dominical psalms (Pss. 92, 99, 62, Benedicite & 148). The Office hymn is Beata nobis gaudia. There are no commemorations.

At Prime the festal psalms, 53, 118(i) & 118(ii), are sung under the antiphon Cum complerentur. In the short responsory the versicle Qui sedes ad dexteram Patris, alleluia, alleluia is sung. The short lesson is Judaei quoque. At Terce instead of the usual hymn Nunc Sancte nobis the hymn Veni Creator is sung as it was at the third hour the Holy Ghost descended on the Apostles, as at Vespers the first verse is sung kneeling.

At Mass the Vidi aquam is sung for the last time this year and the aspersion takes place with Baptismal water taken after the blessing of the font yesterday morning. The Gloria is sung and there is only one collect. After the Alleluia the beautiful sequence Veni, Sancte Spiritus is sung. The Creed is sung. The preface, Communicantes and Hanc igitur are proper to the feast and used throughout the Octave.

At second Vespers the antiphons Cum complerentur dies Pentecostes etc are sung, doubled, with Pss. 109, 110, 111, 112 & 113. The Office hymn is Veni, Creator Spiritus. The versicle and response and antiphon on the Magnificat are proper to second Vespers. There are no commemorations.

Following the 'liturgical books of 1962' the magnificent ceremonies of the Vigil have been entirely abolished - no doubt as they would remind the faithful of the traditional form of Holy Saturday - although the Hanc igitur of the Mass of the Vigil still retains the clause '...on behalf of these whom Thou hast vouchsafed to bring to a new birth by water and the Holy Ghost..' even though the ancient baptismal rites have been abolished. At Compline and at the hymns of the Hours, except Terce, the ordinary Doxology is sung. The antiphons at the Little Hours are doubled.

Art: Jerome Nadal

Dominica Pentecostes - Pentecost Sunday

The feast of Pentecost, or Whitsun - as it is known in English speaking lands from 'White Sunday' most likely a reference to the white albs the newly baptized at the Vigil would wear - is one of the greatest feasts in the Liturgical Year ranking next only to Pascha and, like the Queen of Feasts, is a Double of the First Class with a privileged Octave of the first order. The liturgical colour of the feast and its Octave is red. The feasts of St. Peter Celestine and St. Pudentiana are omitted this year in the Universal Calendar.

Yesterday, after None, the beautiful and splendid ceremonies of the Vigil of Pentecost were celebrated with its six prophecies, blessing of the font, litany of the Saints and Vigil Mass. Some fine photographs of the rite can be found here. In the afteroon first Vespers of the feast were sung with the solemn tone of Deus, in adjutorium which is also used at Mattins and at Lauds. The antiphons, Cum complerentur dies Pentecostes etc were sung, doubled, with psalms 109, 110, 111, 112 & 116. During the singing of the hymn, Veni, Creator Spiritus, all knelt during the first verse. All hymns of the feast and Octave have the Doxology Deo Patri sit gloria, Et Filio, qui a mortuis, Surrexit ac Paraclito, In saeculorum saecula. Veni Creator is sung in tone 8, the other hymns of the Office in tone 1. At Vespers there were no commemorations. At Compline the Dominical preces are omitted for the Octave.

Mattins for the feast, and Octave, is like Pascha in only having a single nocturn of three psalms and three lessons. The invitatory is Alleluia, Spiritus Domini replevit orbem terrarum, Venite adoremus Alleluia. The Office hymn is Jam Christus astra ascenderat. The antiphons Factus est etc are sung with psalms 47, 67 & 103. The lessons are from a homily of St. Gregory the Great on St. John's Gospel. At Lauds the antiphons, Cum complerentur dies Pentecostes etc, are the same as at Vespers and are sung with the Dominical psalms (Pss. 92, 99, 62, Benedicite & 148). The Office hymn is Beata nobis gaudia. There are no commemorations.

At Prime the festal psalms are sung (Pss. 53, 118i & 118ii) under the antiphon Cum complerentur. In the short responsory the versicle Qui sedes ad dexteram Patris, alleluia, alleluia is sung. The short lesson is Judaei quoque. At Terce instead of the usual hymn Nunc Sancte nobis the hymn Veni Creator is sung as it was at the third hour the Holy Ghost descended on the Apostles, as at Vespers the first verse is sung kneeling.

At Mass the Vidi aquam is sung for the last time this year and the aspersion takes place with Baptismal water taken after the blessing of the font yesterday morning. The Gloria is sung and there is only one collect. After the Alleluia the beautiful sequence Veni, Sancte Spiritus is sung. The Creed is sung. The preface, Communicantes and Hanc igitur are proper to the feast and used throughout the Octave.

At second Vespers the antiphons Cum complerentur dies Pentecostes etc are sung, doubled, with Pss. 109, 110, 111, 112 & 113. The Office hymn is Veni, Creator Spiritus. The versicle and response and antiphon on the Magnificat are proper to second Vespers. There are no commemorations. The feast of St Bernardine of Siena is omitted this year in the Universal Calendar.

Following the 'liturgical books of 1962' the magnificent ceremonies of the Vigil have been entirely abolished - no doubt as they would remind the faithful of the traditional form of Holy Saturday - although the Hanc igitur of the Mass of the Vigil still retains the clause '...on behalf of these whom Thou hast vouchsafed to bring to a new birth by water and the Holy Ghost..' even though the ancient baptismal rites have been abolished. At Compline and at the hymns of the Hours, except Terce, the ordinary Doxology is sung. The antiphons at the Little Hours are doubled.

Art: Jerome Nadal

Dominica Resurrectionis - Easter Day - Pascha

Hac die quam fecit Dominus, Solemnitas solemnitatum, et Pascha nostrum Resurrectio Salvatoris nostri Jesu Christi secundum carnem.

These glorious words are sung, to the tone of the Passion, at Prime today at the reading of the Martyrology before the announcement of the day and moon for tomorrow.  Holy Pascha is a Double of the First Class with a privileged Octave of the First Order.

At the final stages of the Vesperal Liturgy of Holy Saturday yesterday morning an antiphon consisting of a triple Alleluia was sung, doubled, with psalm 116. The antiphon on the Magnificat, also doubled, was Vespere autem sabbati etc. After the Vesperal Liturgy the traditional blessing of houses takes place and, in some countries, the Paschal food.  Compline was sung, at the normal time. On Holy Saturday the Office of Compline has some interesting variations. It began with the usual Jube, domne, blessing, short lesson and confession. Converte nos, Deus, salutaris noster and its response were then sung followed by Deus in adjutorium etc with Alleluia for the first time since Septuagesima. The psalms were sung, without an antiphon, to a solemn form of tone 2. The hymn, chapter and responsory are omitted and Vespere autem sabbati sung as a fragment antiphon to the Nunc dimittis. After the Canticle the antiphon is sung in full. After the usual collect, Visita quaesumus, the antiphon Regina Caeli is sung with its versicle and collect.

Mattins begin with the solemn tone for Deus in adjutorium etc. The invitatory is Surrexit Dominus vere Alleluia and psalm 94 is sung to a lovely tone 6 setting. Mattins consists of one nocturn of three psalms. There are no Office Hymns throughout the Octave (c.f. Monastic praxis). The first antiphon is Ego sum qui sum etc and sung with psalm 1. The second antiphon, Postulavi Patrem meum etc, is sung with psalm 2. The third antiphon, Ego dormivi etc, is sung with psalm 3. A versicle and its response are sung follwed by the absolution Exaudi etc. The first lesson has the Gospel fragment Mark 16: 1-7 and is followed by a homily of St. Gregory the Great. The two responsories Angelus Domini descendit and Cum transisset sabbatum are famous and intimately connected with the Quem quaeritis ceremonies. The second lesson, Notandum vero nobis est is sung followed by the second responsory. During the second responsory the cantors and the celebrant don copes the principal one pre-intones the Te Deum. Six pluvialistae assist the Hebdomadarius where possible. The Te Deum is then sung and, where it is the custom the bells ring throughout.

Lauds follow immediately and have a series of beautiful antiphons: Angelus autem Domini, Et ecce terraemotus, Erat autem, Prae timore autem ejus and Respondens autem Angelus all taking up the theme of the Angels, earthquake and empty tomb. Psalms 92, 99, 62, Benedicite & 148 are sung with these antiphons. The chapter, hymn, versicle and response are replaced by the Haec dies. After Haec dies the antiphon Et valde mane is sung and then the Benedictus sung to a solemn tone 8. During the Benedictus the altar, the choir and people are incensed in the normal manner. The antiphon is repeated and the collect of Easter, Deus, qui hodierna die sung. Benedicamus Domino, Alleluia, Alleluia and its response are followed by the solemn Regina Caeli, its versicle and collect.

The morning Office begins with Prime. Psalms 53, 118(i) & 118(ii) are sung to a solemn form of Tone 2. Haec Dies is sung after the psalmody and then everything else is omitted up to the collect Domine Deus omnipotens. The Martyrology is then sung, starting with the verse indicated above. Then Sancta Maria etc is sung, the collect Dirigere et sanctificare etc and the short lesson Si consurrexistis. Terce, and the other Little Hours, are even more simple in their structure. At Terce, Sext and None the usual stanzas of Ps. 118 are sung to the special form of Tone 2 followed by Haec dies and the collect of the day.

Mass is sung after Terce. Instead of Asperges me the Paschaltide Vidi aquam is sung today and all other Sundays in Paschaltide. In the great Mass of Easter, Resurrexi, the Gloria is sung, one collect is sung. Haec dies is sung as the Gradual. The sequence Victimae paschali laudes is sung after the Alleluia. The Creed is sung and Ite missa est alleluia, alleluia is sung as the dismissal.

At Vespers the antiphons sung at Lauds, Angelus autem Domini etc, are are sung with the usual Sunday psalms. Haec dies is sung in place of the chapter, hymn and versicle & response. The solemn tone is used for Benedicamus Domino, alleluia, alleluia.

At Compline the usual psalms are sung to Tone 8G without any preceding antiphon, followed by an antiphon consisting of Alleluia, alleluia, alleluia, alleluia. This is followed by the Nunc dimittis sung to the Paschal Tone 2. Haec dies is then sung followed by the collect Visita quaesumus etc and then, as yesterday the antiphon Regina coeli etc.

In the 'liturgical books of 1962' yesterday afternoon a novel Vespers, created in 1956, in said, not sung, with unlit candles. It follows the form used on Mandy Thursday and Good Friday but substituting the first antiphon Calicem salutaris with Hodie aflictus.  The antiphon on the Magnificat is newly crafted from Mt. 27: 62, 66 Principes sacerdotum (c.f. IX responsory Mattins of Holy Saturday) and the new collect used at Mattins & Lauds and the Hours of Holy Saturday is used again at Vespers. Compline is said by those who do not take part in the nocturnal shenanigans of the Easter Vigil. Compline has the same structure as on Mandy Thursday and Good Friday but the collect Visita, quaesumus replaces Respice. There is no Regina Caeli and the Offices are in the same penitential spirit as those of Mandy Thursday and Good Friday. Those, fortunate enough, not to take part in the Easter Vigil say Mattins & Lauds. For those who do attend it the novel Easter Vigil replaces Compline, Mattins & Lauds so the Queen of Feasts, as Gregory DiPippo has pointed out, becomes the only feast of the Liturgical Year - and the greatest feast of all - not to have first Vespers, Mattins, proper Lauds or the Te Deum.  The rest of the day is, thankfully, free from further significant changes.

The Epiphany of the LORD

The feast of the Epiphany is a Double of the First Class with a privileged Octave of the Second Order. The liturgical colour of the feast and its Octave is white. The Epiphany was kept in the East from the third century, or earlier, and spread to the West a century later. Originally, it seems, in the East at least, that this 'manifestation' of the LORD was the same celebration as the Nativity and so to this day the Armenian rite celebrates a single feast of Theophany on January 6th.

The feast was preceded by a Vigil. At Vespers on yesterday afternoon the antiphons Ante luciferum genitus etc were sung, doubled, with Pss. 109, 110, 111, 112 & 116. The chapter, from Isaiah was Surge, illuminare, Jerusalem and the Office hymn was Crudelis Herodes. For the feast and its octave a Doxology in honour of the LORD's manifestation is sung at all hymns of Iambic metre: Jesu, tibi sit gloria, Qui apparuisti Gentibus, Cum Patre, et almo Spiritu, In sempiterna saecula. At Compline Te lucis was sung with the Doxology and tone of the feast. The Blessing of the Waters traditionally took place after Compline or later after the ninth lesson of Mattins.

The antiquity of the feast can be clearly seen in the structure of the Office of Mattins, unique to this day. The, historically later, Domine labia me, invitatory and hymn are omitted on the feast itself and the Office begins after the usual Pater, Ave & Credo with the first antiphon Afferte Domino etc sung, doubled, with Ps. 28. Two further antiphons are then sung with Pss. 45 & 46 in the first nocturn. The lessons in the first nocturn are from Isaiah. In the second nocturn the antiphons Omnis terra adoret te etc are sung, doubled, with psalms 65, 71 & 85 and the lessons are from a sermon on the Epiphany by St. Leo. In the third nocturn the antiphons Venite adoremus eum etc is sung, doubled, with Ps. 94, Venite , the usual invitatory psalm, in a responsorial manner. Psalms 95 and 96 are also sung in the third nocturn. The homily on St. Matthew's Gospel if from St. Gregory. The Te Deum is sung. At Lauds the antiphons sung at Vespers yesterday, Ante luciferum genitus etc., are sung, doubled, with the Dominical psalms. The chapter is Surge, illuminare from Isaiah and the Office hymn is O sola magnarum urbium.

At the Little Hours the antiphons from Lauds are sung with the festal psalms. At Prime (Pss. 53, 118i & 118ii), in the short responsory, the versicle Qui apparuisti hodie is sung today and during the Octave, the short lesson is Omnes de Saba. The Doxology Jesu, tibi sit gloria, Qui apparuisti gentibus etc is sung at the hymns of the Little Hours.

Mass is sung after Terce. The Mass, Ecce advenit, is proper. The Gloria is sung and, traditionally after the Gospel the Announcement of Moveable Feasts for the coming year is sung. The Creed is sung and the preface and communicantes are proper to the feast.

At Vespers the antiphons Ante luciferum genitus etc are again sung, doubled, with psalms 109, 110, 11, 112 & 113. The Office hymn is Crudelis Herodes Deum. The antiphon on the Magnificat is Tribus miraculis. After the collect of the feast commemorations are sung of the feast of The Holy Family and of the Sunday within the Octave of the Epiphany.

In the 'liturgical books of 1962' the only textual changes today are the omission of any commemorations at second Vespers, the abolition of the Doxology in honour of the Epiphany at the hymns of the Little Hours and the duplication of antiphons at the same. The feast has been stripped of its Vigil and Octave.

The Nativity of the LORD

The feast of the Nativity of the LORD is a Double of the First Class with a privileged Octave of the third order. The liturgical colour of the feast and Octave is white.

At Vespers yesterday afternoon the antiphons Rex pacificus etc were sung, doubled, with psalms 109, 110, 111, 112 & 116. The Office hymn was Jesu, Redemptor omnium. All hymns of Iambic metre have the Doxology Jesu, tibi sit gloria, qui natus es de Virgine for the Octave and up until None, inclusive, on the Vigil of the Epiphany. From this Vespers until Candlemas the Marian antiphon is Alma Redemptoris with the versicle Post partum etc and the collect Deus, qui salutis. Where resources permit six pluvialistae assist the Hebdomadarius. At Compline the Domincial psalms were sung, Te lucis was sung with the Doxology of the Incarnation and the Dominical preces were omitted.

Mattins is ordinarily sung later in the evening than usual, so that the Mass which immediately follows can begin at midnight. The Caeremoniale Episcoporum gives special instructions, Lib.II, Cap. XIV, for Pontifical Mattins, but may be reasonably applied to other celebrations, for the arrangement of adequate candles to supply light for the service and talks of candelabris ferreis magnis to help provide this. The invitatory is proper, Christus natus est nobis: * Venite adoremus. When intoning the Office hymn, Jesu, Redemptor omnium, the Hebdomadarius turns and bows to the altar. Mattins has three nocturns and the usual nine lessons. In the first nocturn the antiphons Dominus Dixit etc are sung with psalms 2, 18 & 44. The lessons are from Isaiah but, interestingly, are sung without a title. In the second nocturn the antiphons Suscepimus etc are sung with psalms 47, 71 & 84. The lessons in the second nocturn are taken from a homily on the Nativity by St. Leo. In the third nocturn the antiphons Ipse invocabit etc are sung with psalms 88, 95 & 97. The lessons are three Gospel pericopes, two from St. Luke and the third from St. John. After the Te Deum the collect is sung followed by Benedicamus Domino.

Then the first of the three Masses for the Nativity is sung. The Gloria is sung (one theory of its origin in the Mass rite is from the song of the Angels on Christmas night to the shepherds) as is the Creed. The preface and communicantes are of the Nativity. Lauds immediately follow Mass. The antiphons Quem vidistis pastores etc are sung, doubled, with the Dominical psalms. The Office hymn is A solis ortus cardine.

After Communion at the first Mass, when the celebrant is to celebrate one or two of the other Masses the abultions are not taken - so the fast is not broken - but the unpurified chalice is placed on the corporal and covered with the purifictor, pall and veil. Albutions are taken after the last Mass.

Later in the morning Prime is sung. As noted above hymns of Iambic metre have the tone and Doxology in honour of the Incarnation. The first antiphon from Lauds, Quem vidistis pastores, is sung, not doubled, with the festal psalms (53, 118i & 118ii). In the short responsory the versicle Qui natus es de Maria Virgine is sung. The lectio brevis is Ipsi peribunt. Prime is followed by the second Mass, the Missa in aurora. In the second Mass the Gloria is sung, there is a second collect to commemorate St. Anastasia. The Creed is sung and the preface and communicantes are of the Nativity.

After Terce the third Mass is sung. This Mass too has the Gloria and Creed along with the preface and communicantes of the Nativity. As the Gospel pericope for this Mass is In principio the Gospel of the Epiphany, Cum natus esset Jesus, is read as a proper last Gospel.

Second Vespers has yet a third set of proper antiphons for the feast, Tecum principium etc., that are sung, doubled, with psalms 109, 110, 111, 129 and 131. These antiphons and psalms will be used through the Octave. After the collect of the feast a commemoration is sung of the following feast of St. Stephen. At Compline the Dominical psalms are sung. Te lucis has the Doxology of the Incarnation.

In the 'liturgical books of 1962' at Mattins in the third nocturn, and for the Octave, psalm 88, Misericordias Domini is cut from 51 to 36 verses. The verses from Tu vero repulisti et despexisti to the end are omitted. The Doxology in honour of the Nativity is not sung at the hymns of the Little Hours. In the third Mass the last Gospel is omitted and at Vespers no commemoration of St. Stephen is made.

 A very happy Christmas to all readers.

Dominica Pentecostes - Pentecost Sunday

The feast of Pentecost, or Whitsun - as it is known in English speaking lands from 'White Sunday' most likely a reference to the white albs the newly baptized at the Vigil would wear - is one of the greatest feasts in the Liturgical Year ranking next only to Pascha and, like the Queen of Feasts, is a Double of the First Class with a privileged Octave of the first order. The liturgical colour of the feast and its Octave is red. The feast of St. Augustine of Canterbury is omitted this year in the Universal Calendar.

After the beautiful and splendid ceremonies of the Vigil of Pentecost yesterday morning first Vespers of the feast were sung in the afternoon. The solemn tone of Deus, in adjutorium is used at Vespers, Mattins and at Lauds. The antiphons, Cum complerentur dies Pentecostes etc are proper and were sung, doubled, with psalms 109, 110, 111, 112 & 116. During the singing of the hymn, Veni, Creator Spiritus, all knelt during the first verse. All hymns of the feast and Octave have the Doxology Deo Patri sit gloria, Et Filio, qui a mortuis, Surrexit ac Paraclito, In saeculorum saecula. Veni Creator is sung in tone 8, the other hymns of the Office in tone 1. At Vespers there were no commemorations. At Compline the Dominical preces are omitted for the Octave.

Mattins for the feast, and Octave, is like Pascha in only having a single nocturn of three psalms and three lessons. The invitatory is Alleluia, Spiritus Domini replevit orbem terrarum, Venite adoremus Alleluia. The Office hymn is Jam Christus astra ascenderat. The antiphons Factus est etc are sung with psalms 47, 67 & 103. The lessons are from a homily of St. Gregory the Great on St. John's Gospel. At Lauds the antiphons, Cum complerentur dies Pentecostes etc, are the same as at Vespers and are sung with the Dominical psalms (Pss. 92, 99, 62, Benedicite & 148). The Office hymn is Beata nobis gaudia. There are no commemorations.

At Prime the festal psalms are sung (Pss. 53, 118i & 118ii) under the antiphon Cum complerentur. In the short responsory the versicle Qui sedes ad dexteram Patris, alleluia, alleluia is sung. The short lesson is Judaei quoque. At Terce instead of the usual hymn Nunc Sancte nobis the hymn Veni Creator is sung as it was at the third hour the Holy Ghost descended on the Apostles, as a Vespers the first verse is sung kneeling.

At Mass the Vidi aquam is sung for the last time this year and the aspersion takes place with Baptismal water taken after the blessing of the font yesterday morning. The Gloria is sung and there is only one collect. After the Alleluia the beautiful sequence Veni, Sancte Spiritus is sung. The Credo is sung. The preface, Communicantes and Hanc igitur are proper to the feast and used throughout the Octave.

At second Vespers the antiphons Cum complerentur dies Pentecostes etc are sung, doubled, with Pss. 109, 110, 111, 112 & 113. The Office hymn is Veni, Creator Spiritus. The versicle and response and antiphon on the Magnificat are proper to second Vespers. There are no commemorations. The feast of St Mary Magdalen de Pazzi is omitted this year in the Universal Calendar.

Following the 'liturgical books of 1962' the magnificent ceremonies of the Vigil have been abolished completely - no doubt as they would remind the faithful of the traditional form of Holy Saturday - although the Hanc igitur of the Mass of the Vigil still retains the clause '...on behalf of these whom Thou hast vouchsafed to bring to a new birth by water and the Holy Ghost..' even though the ancient baptismal rites have been abolished. At Compline and at the hymns of the Hours, except Terce, the ordinary Doxology is sung. The antiphons at the Little Hours are doubled.

Art: Jerome Nadal

Dominica in Resurrectionis - Easter Sunday - Pascha

Hac die quam fecit Dominus, Solemnitas solemnitatum, et Pascha nostrum Resurrectio Salvatoris nostri Jesu Christi secundum carnem.

These glorious words are sung, to the tone of the Passion, at Prime today at the reading of the Martyrology before the announcement of the day and moon for tomorrow.  Holy Pascha is a Double of the First Class with a privileged Octave of the First Order.

At the final stages of the Vesperal Liturgy of Holy Saturday yesterday morning an antiphon consisting of a triple Alleluia was sung, doubled, with psalm 116. The antiphon on the Magnificat was Vespere autem sabbati etc. After the Vesperal Liturgy the traditional blessing of houses takes place and, in some countries, the Paschal food.  Compline was sung, at the normal time. On Holy Saturday the Office of Compline has some interesting variations. It began with the usual Jube, domne, blessing, short lesson and confession. Converte nos, Deus, salutaris noster and its response were then sung followed by Deus in adjutorium etc with Alleluia for the first time since Septuagesima. The psalms were sung, without an antiphon, to a solemn form of tone 2. The hymn, chapter and responsory are omitted and Vespere autem sabbati sung as a fragment antiphon to the Nunc dimittis. After the Canticle the antiphon is sung in full. After the usual collect, Visita quaesumus, the antiphon Regina Caeli is sung with its versicle and collect.

Mattins begin with the solemn tone for Deus in adjutorium etc. The invitatory is Surrexit Dominus vere Alleluia and psalm 94 is sung to a lovely tone 6 setting. Mattins consists of one nocturn of three psalms. There is no Office Hymn throughout the Octave (c.f. Monastic praxis). The first antiphon is Ego sum qui sum etc and sung with psalm 1. The second antiphon, Postulavi Patrem meum etc, is sung with psalm 2. The third antiphon, Ego dormivi etc, is sung with psalm 3. A versicle and its response are sung follwed by the absolution Exaudi etc. The first lesson has the Gospel fragment Mark 16: 1-7 and is followed by a homily of St. Gregory the Great. The two responsories Angelus Domini descendit and Cum transisset sabbatum are famous and intimately connected with the Quem quaeritis ceremonies. The second lesson, Notandum vero nobis est is sung followed by the second responsory. During the second responsory the cantors and the celebrant don copes the principal one pre-intones the Te Deum. Six pluvialistae assist the Hebdomadarius where possible. The Te Deum is then sung and, where it is the custom the bells ring throughout.

Lauds follow immediately and have a series of beautiful antiphons: Angelus autem Domini, Et ecce terraemotus, Erat autem, Prae timore autem ejus and Respondens autem Angelus all taking up the theme of the Angels, earthquake and empty tomb. Psalms 92, 99, 62, Benedicite & 148 are sung with these antiphons. The chapter, hymn, versicle and response are replaced by the Haec dies. After Haec dies the antiphon Et valde mane is sung and then the Benedictus sung to a solemn tone 8. During the Benedictus the altar, the choir and people are incensed in the normal manner. The antiphon is repeated and the collect of Easter, Deus, qui hodierna die sung. Benedicamus Domino, Alleluia, Alleluia and its response are followed by the solemn Regina Caeli, its versicle and collect.

The morning Office begins with Prime. There are no hymns at the Hours during the entire Paschal Octave in the Roman rite. At Prime psalms 53 and the first two divisi of Ps. 118 are sung to a solemn form of Tone 2. Haec Dies is sung after the psalmody and then everything else is omitted up to the collect Domine Deus omnipotens. The Martyrology is then sung, starting with the verse indicated above. Then Sancta Maria etc is sung, the collect Dirigere et sanctificare etc and the short lesson Si consurrexistis. Terce, and the other Little Hours, are even more simple in their structure. At Terce the usual stanzas of Ps. 118 are sung to the special form of Tone 2 followed by Haec dies and the collect of the day.

Mass is sung after Terce. Instead of Asperges me the Paschaltide Vidi aquam is sung today and all other Sundays in Paschaltide. In the great Mass of Easter, Resurrexi, the Gloria is sung, one collect is sung. Haec dies is sung as the Gradual. The sequence Victimae paschali laudes is sung after the Alleluia. The Creed is sung and Ite missa est alleluia, alleluia is sung as the dismissal.

Sext and None have exactly the same structure as Terce. At Vespers the antiphons sung at Lauds, Angelus autem Domini etc, are are sung with the usual Sunday psalms. Haec dies is sung in place of the chapter, hymn and versicle & response. The solemn tone is used for Benedicamus Domino, alleluia, alleluia.

At Compline the usual psalms are sung to Tone 8G without any preceding antiphon, followed by an antiphon consisting of Alleluia, alleluia, alleluia, alleluia. This is followed by the Nunc dimittis sung to the Paschal Tone 2. Haec dies is then sung followed by the collect Visita quaesumus etc and then, as yesterday the antiphon Regina coeli etc.

In the 'liturgical books of 1962' yesterday afternoon a novel Vespers, created in 1956, in said, not sung, with unlit candles. It follows the form used on Mandy Thursday and Good Friday but substituting the first antiphon Calicem salutaris with Hodie aflictus.  The antiphon on the Magnificat is newly crafted from Mt. 27: 62, 66 Principes sacerdotum (c.f. IX responsory Mattins of Holy Saturday) and the new collect used at Mattins & Lauds and the Hours of Holy Saturday is used again at Vespers. Compline is said by those who do not take part in the nocturnal shenanigans of the Easter Vigil. Compline has the same structure as on Mandy Thursday and Good Friday but the collect Visita, quaesumus replaces Respice. There is no Regina Caeli and the Offices are in the same penitential spirit as those of Mandy Thursday and Good Friday. Those, fortunate enough, not to take part in the Easter Vigil say Mattins & Lauds. For those who do attend it the novel Easter Vigil replaces Compline, Mattins & Lauds so the Queen of Feasts, as Gregory DiPippo has pointed out, becomes the only feast of the Liturgical Year - and the greatest feast of all - not to have first Vespers, Mattins, proper Lauds or the Te Deum.  The rest of the day is, thankfully, free from further significant changes.

The Nativity of the LORD

The feast of the Nativity of the LORD is a Double of the First Class with a privileged Octave of the third order. The liturgical colour of the feast is white.

At Vespers yesterday afternoon the antiphons Rex pacificus etc were sung, doubled, with psalms 109, 110, 111, 112 & 116. The Office hymn was Jesu, Redemptor omnium. All hymns of Iambic metre have the Doxology Jesu, tibi sit gloria, qui natus es de Virgine for the Octave and up until None of the Vigil of the Epiphany. From this Vespers until Candlemas the Marian antiphon is Alma Redemptoris with the versicle Post partum etc and the collect Deus, qui salutis. Where resources permit six pluvialistae assist the Hebdomadarius. At Compline the Domincial psalms were sung, Te lucis was sung with the Doxology of the Incarnation and the Dominical preces were omitted.

Mattins is ordinarily sung later in the evening than usual, so that the Mass which immediately follows can begin at midnight. The Caeremoniale Episcoporum gives special instructions, Lib.II, Cap. XIV, for Pontifical Mattins, but may be reasonably applied to other celebrations, for the arrangement of adequate candles to supply light for the service and talks of candelabris ferreis magnis to help provide this. The invitatory is proper, Christus natus est nobis: * Venite adoremus. When intoning the Office hymn, Jesu, Redemptor omnium, the Hebdomadarius turns and bows to the altar. Mattins has three nocturns and the usual nine lessons. In the first nocturn the antiphons Dominus Dixit etc are sung with psalms 2, 18 & 44. The lessons are from Isaiah but, interestingly, are sung without a title. In the second nocturn the antiphons Suscepimus etc are sung with psalms 47, 71 & 84. The lessons in the second nocturn are taken from a homily on the Nativity by St. Leo. In the third nocturn the antiphons Ipse invocabit etc are sung with psalms 88, 95 & 97. The lessons are three Gospel pericopes, two from St. Luke and the third from St. John. After the Te Deum the collect is sung followed by Benedicamus Domino.

Then the first of the three Masses for the Nativity is sung. The Gloria is sung (one theory of its origin in the Mass rite is from the song of the Angels on Christmas night to the shepherds) as is the Creed. The preface and communicantes are of the Nativity. Lauds immediately follow Mass. The antiphons Quem vidistis pastores etc are sung the Dominical psalms. The Office hymn is A solis ortus cardine.

After Communion at the first Mass, when the celebrant is to celebrate one or two of the other Masses the abultions are not taken - so the fast is not broken - but the unpurified chalice is placed on the corporal and covered with the purifictor, pall and veil. Albutions are taken after the last Mass.

Later in the morning Prime is sung. All hymns of Iambic metre have the tone and Doxology in honour of the Incarnation, Jesu tibi sit gloria etc. The first antiphon from Lauds, Quem vidistis pastores, is sung with the festal psalms (53, 118i & 118ii). In the short responsory the versicle Qui natus es de Maria Virgine is sung. The lectio brevis is Ipsi peribunt. Prime is followed by the second Mass, the Missa in aurora. In the second Mass the Gloria is sung, there is a second collect to commemorate St. Anastasia. The Creed is sung and the preface and communicantes are of the Nativity.

After Terce the third Mass is sung. This Mass too has the Gloria and Creed along with the preface and communicantes of the Nativity. As the Gospel pericope for this Mass is In principio the Gospel of the Epiphany, Cum natus esset Jesus, is read as a proper last Gospel.

Second Vespers has yet a third set of proper antiphons for the feast, Tecum principium etc., that are sung, doubled, with psalms 109, 110, 111, 129 and 131. These antiphons and psalms will be used through the Octave. After the collect of the feast a commemoration is sung of the following feast of St. Stephen. At Compline the Dominical psalms are sung. Te lucis has the Doxology of the Incarnation.

In the 'liturgical books of 1962' at Mattins in the third nocturn, and for the Octave, psalm 88, Misericordias Domini is cut from 51 to 36 verses. The verses from Tu vero repulisti et despexisti to the end are omitted. The Doxology in honour of the Nativity are not sung at the hymns of the Little Hours. In the third Mass the last Gospel is omitted and at Vespers no commemoration of St. Stephen is made.

Dominica Pentecostes - Pentecost Sunday

The feast of Pentecost, or Whitsun - as it is known in English speaking lands from 'White Sunday' most likely a reference to the white albs the newly baptized at the Vigil would wear - is one of the greatest feasts in the Liturgical Year ranking next only to Pascha and, like the Queen of Feasts, is a Double of the First Class with a privileged Octave of the first order. The liturgical colour of the feast and its Octave is red. The feast of St. Boniface is omitted this year.

After the beautiful and splendid ceremonies of the Vigil of Pentecost yesterday morning first Vespers of the feast were sung in the afternoon. The solemn tone of Deus, in adjutorium is used at Vespers, Mattins and at Lauds. The antiphons, Cum complerentur dies Pentecostes etc are proper and were sung, doubled, with psalms 109, 110, 111, 112 & 116. During the singing of the hymn, Veni, Creator Spiritus, all knelt during the first verse. All hymns of the feast and Octave have the Doxology Deo Patri sit gloria, Et Filio, qui a mortuis, Surrexit ac Paraclito, In saeculorum saecula. Veni Creator is sung in tone 8, the other hymns of the Office in tone 1. At Vespers there were no commemorations. At Compline the Dominical preces are omitted for the Octave.

Mattins for the feast, and Octave, is like Pascha in only having a single nocturn of three psalms and three lessons. The invitatory is Alleluia, Spiritus Domini replevit orbem terrarum, Venite adoremus Alleluia. The Office hymn is Jam Christus astra ascenderat. The antiphons Factus est etc are sung with psalms 47, 67 & 103. The lessons are from a homily of St. Gregory the Great on St. John's Gospel. At Lauds the antiphons, Cum complerentur dies Pentecostes etc, are the same as at Vespers and are sung with the Dominical psalms (Pss. 92, 99, 62, Benedicite & 148). The Office hymn is Beata nobis gaudia. There are no commemorations.

At Prime the festal psalms are sung (Pss. 53, 118i & 118ii) under the antiphon Cum complerentur. In the short responsory the versicle Qui sedes ad dexteram Patris, alleluia, alleluia is sung. The short lesson is Judaei quoque. At Terce instead of the usual hymn Nunc Sancte nobis the hymn Veni Creator is sung as it was at the third hour the Holy Ghost descended on the Apostles, as a Vespers the first verse is sung kneeling.

At Mass the Vidi aquam is sung for the last time this year and the aspersion takes place with Baptismal water taken after the blessing of the font yesterday morning. The Gloria is sung and there is only one collect. After the Alleluia the beautiful sequence Veni, Sancte Spiritus is sung. The Credo is sung. The preface, Communicantes and Hanc igitur are proper to the feast and used throughout the Octave.

At second Vespers the antiphons Cum complerentur dies Pentecostes etc are sung, doubled, with Pss. 109, 110, 111, 112 & 113. The Office hymn is Veni, Creator Spiritus. The versicle and response and antiphon on the Magnificat are proper to second Vespers. There are no commemorations.

Following the 'liturgical books of 1962' the magnificent ceremonies of the Vigil have been abolished - no doubt as they would remind the faithful of the traditional form of Holy Saturday - although the Hanc igitur of the Mass of the Vigil still retains the clause '...on behalf of these whom Thou hast vouchsafed to bring to a new birth by water and the Holy Ghost..' even though the ancient baptismal rites have been abolished. At Compline and at the hymns of the Hours, except Terce, the ordinary Doxology is sung. The antiphons at the Little Hours are doubled.

Art: Jerome Nadal

Domenica Pentecostes - Pentecost Sunday

The feast of Pentecost, or Whitsun - as it is known in English speaking lands from 'White Sunday' most likely a reference to the white albs the newly baptized at the Vigil would wear - is one of the greatest feasts in the Liturgical Year ranking next only to Pascha and, like the Queen of Feasts, is a Double of the First Class with a privileged Octave of the first order. The liturgical colour of the feast and its Octave is red.

After the beautiful and splendid ceremonies of the Vigil of Pentecost yesterday morning first Vespers of the feast were sung in the afternoon. The solemn tone of Deus, in adjutorium is used at Vespers, Mattins and at Lauds. The antiphons, Cum complerentur dies Pentecostes etc are proper and were sung, doubled, with psalms 109, 110, 111, 112 & 116. During the singing of the hymn, Veni, Creator Spiritus, all knelt during the first verse. All hymns of the feast and Octave have the Doxology Deo Patri sit gloria, Et Filio, qui a mortuis, Surrexit ac Paraclito, In saeculorum saecula. Veni Creator is sung in tone 8, the other hymns of the Office in tone 1. At Vespers there were no commemorations. At Compline the Dominical preces are omitted for the Octave.

Mattins for the feast, and Octave, is like Pascha in only having a single nocturn of three psalms and three lessons. The invitatory is Alleluia, Spiritus Domini replevit orbem terrarum, Venite adoremus Alleluia. The Office hymn is Jam Christus astra ascenderat. The antiphons Factus est etc are sung with psalms 47, 67 & 103. The lessons are from a homily of St. Gregory the Great on St. John's Gospel. At Lauds the antiphons, Cum complerentur dies Pentecostes etc, are the same as at Vespers and are sung with the Dominical psalms (Pss. 92, 99, 62, Benedicite & 148). The Office hymn is Beata nobis gaudia. There are no commemorations.

At Prime the festal psalms are sung (Pss. 53, 118i & 118ii) under the antiphon Cum complerentur. In the short responsory the versicle Qui sedes ad dexteram Patris, alleluia, alleluia is sung. The short lesson is Judaei quoque. At Terce instead of the usual hymn Nunc Sancte nobis the hymn Veni Creator is sung as it was at the third hour the Holy Ghost descended on the Apostles, as a Vespers the first verse is sung kneeling.

At Mass the Vidi aquam is sung for the last time this year and the aspersion takes place with Baptismal water taken after the blessing of the font yesterday morning. The Gloria is sung and there is only one collect. After the Alleluia the beautiful sequence Veni, Sancte Spiritus is sung. The Credo is sung. The preface, Communicantes and Hanc igitur are proper to the feast and used throughout the Octave.

At second Vespers the antiphons Cum complerentur dies Pentecostes etc are sung, doubled, with Pss. 109, 110, 111, 112 & 113. The Office hymn is Veni, Creator Spiritus. The versicle and response and antiphon on the Magnificat are proper to second Vespers. There are no commemorations.

In the 'liturgical books of 1962' the magnificent ceremonies of the Vigil have been entirely abolished - no doubt as they would remind the faithful of the traditional form of Holy Saturday - although the Hanc igitur of the Mass of the Vigil still retains the clause '...on behalf of these whom Thou hast vouchsafed to bring to a new birth by water and the Holy Ghost..' even though the ancient baptismal rites are not celebrated. At Compline and at the hymns of the Hours, except Terce, the ordinary Doxology is sung. The antiphons at the Little Hours are doubled.

Art: Jerome Nadal

Dominica Resurrectionis - Easter Sunday - Pascha

Hac die quam fecit Dominus, Solemnitas solemnitatum, et Pascha nostrum Resurrectio Salvatoris nostri Jesu Christi secundum carnem.

These glorious words are sung, to the tone of the Passion, at Prime today at the reading of the Martyrology before the announcement of the day and moon for tomorrow.  Holy Pascha is a Double of the First Class with a privileged Octave of the first Order.

At the final stages of the Vesperal Liturgy of Holy Saturday yesterday morning an antiphon consisting of a triple Alleluia was sung, doubled, with psalm 116. The antiphon on the Magnificat was Vespere autem sabbati etc. After the Vesperal Liturgy the traditional blessing of houses takes place and, in some countries, the Paschal food.  Compline was sung, at the normal time. On Holy Saturday the Office of Compline has some interesting variations. It began with the usual Jube, domne, blessing, short lesson and confession. Converte nos, Deus, salutaris noster and its response were then sung followed by Deus in adjutorium etc with Alleluia for the first time since Septuagesima. The psalms were sung, without an antiphon, to a special form of tone 2. The hymn, chapter and responsory are omitted and Vespere autem sabbati sung as a fragment antiphon to the Nunc dimittis. After the Canticle the antiphon is sung in full. After the usual collect, Visita quaesumus, the antiphon Regina Caeli is sung with its versicle and collect.

Mattins begin with the solemn tone for Deus in adjutorium etc. The invitatory is Surrexit Dominus vere Alleluia and psalm 94 is sung to a lovely tone 6 setting. Mattins consists of one nocturn of three psalms. There is no Office Hymn throughout the Octave (c.f. Monastic praxis). The first antiphon is Ego sum qui sum etc and sung with psalm 1. The second antiphon, Postulavi Patrem meum etc, is sung with psalm 2. The third antiphon, Ego dormivi etc, is sung with psalm 3. A versicle and its response are sung follwed by the absolution Exaudi etc. The first lesson has the Gospel fragment Mark 16: 1-7 and is followed by a homily of St. Gregory the Great. The two responsories Angelus Domini descendit and Cum transisset sabbatum are famous and intimately connected with the Quem quaeritis ceremonies. The second lesson, Notandum vero nobis est is sung followed by the second responsory. During the second responsory the cantors and the celebrant don copes the principal one pre-intones the Te Deum. Six pluvialistae assist the Hebdomadarius where possible. The Te Deum is then sung and, where it is the custom the bells ring throughout.

Lauds follow immediately and have a series of beautiful antiphons: Angelus autem Domini, Et ecce terraemotus, Erat autem, Prae timore autem ejus and Respondens autem Angelus all taking up the theme of the Angels, earthquake and empty tomb. Psalms 92, 99, 62, Benedicite & 148 are sung with these antiphons. The chapter, hymn, versicle and response are replaced by the Haec dies. After Haec dies the antiphon Et valde mane is sung and then the Benedictus sung to a solemn tone 8. During the Benedictus the altar, the choir and people are incensed in the normal manner. The antiphon is repeated and the collect of Easter, Deus, qui hodierna die sung. Benedicamus Domino, Alleluia, Alleluia and its response are followed by the solemn Regina Caeli, its versicle and collect.

The morning Office begins with Prime. There are no hymns at the Hours during the entire Paschal Octave in the Roman rite. At Prime psalms 53 and the first two divisi of Ps. 118 are sung to a special form of Tone 2. Haec Dies is sung after the psalmody and then everything else is omitted up to the collect Domine Deus omnipotens. The Martyrology is then sung, starting with the verse indicated above. Then Sancta Maria etc is sung, the collect Dirigere et sanctificare etc and the short lesson Si consurrexistis. Terce, and the other Little Hours, are even more simple in their structure. At Terce the usual stanzas of Ps. 118 are sung to the special form of Tone 2 followed by Haec dies and the collect of the day.

Mass is sung after Terce. Instead of Asperges me the Paschaltide Vidi aquam is sung today and all other Sundays in Paschaltide. In the great Mass of Easter, Resurrexi, the Gloria is sung, one collect is sung. Haec dies is sung as the Gradual. The sequence Victimae paschali laudes is sung after the Alleluia. The Creed is sung and Ite missa est alleluia, alleluia is sung as the dismissal.

Sext and None have exactly the same structure as Terce. At Vespers the antiphons sung at Lauds, Angelus autem Domini etc, are are sung with the usual Sunday psalms. Haec dies is sung in place of the chapter, hymn and versicle & response. The solemn tone is used for Benedicamus Domino, alleluia, alleluia.

At Compline the usual psalms are sung to Tone 8G without any preceding antiphon, followed by an antiphon consisting of Alleluia, alleluia, alleluia, alleluia. This is followed by the Nunc dimittis sung to the Paschal Tone 2, without antiphons. Haec dies is then sung followed by the collect Visita quaesumus etc and then, as yesterday the antiphon Regina coeli etc.

In the 'liturgical books of 1962' yesterday afternoon a novel Vespers, created in 1956, in said, not sung, with unlit candles. It follows the form used on Mandy Thursday and Good Friday but substituting the first antiphon Calicem salutaris with Hodie aflictus.  The antiphon on the Magnificat is newly crafted from Mt. 27: 62, 66 Principes sacerdotum (c.f. IX responsory Mattins of Holy Saturday) and the new collect used at Mattins & Lauds and the Hours of Holy Saturday is used again at Vespers. Compline is said by those who do not take part in the nocturnal shenanigans of the Easter Vigil. Compline has the same structure as on Mandy Thursday and Good Friday but the collect Visita, quaesumus replaces Respice. There is no Regina Caeli and the Offices are in the same penitential spirit as those of Mandy Thursday and Good Friday. Those, fortunate enough, not to take part in the Easter Vigil say Mattins & Lauds. For those who do attend it the novel Easter Vigil replaces Compline, Mattins & Lauds so the Queen of Feasts, as Gregory DiPippo has pointed out, becomes the only feast of the Liturgical Year - and the greatest feast of all - not to have first Vespers, Mattins, proper Lauds or the Te Deum.  The rest of the day is, thankfully, free from further significant changes.

The Nativity of the LORD

The feast of the Nativity of the LORD is a Double feast of the First Class with a privileged Octave of the third order. The liturgical colour of the feast is white.

At Vespers yesterday afternoon the antiphons Rex pacificus etc were sung, doubled, with psalms 109, 110, 111, 112 & 116. The Office hymn was Jesu, Redemptor omnium. All hymns of Iambic metre have the Doxology Jesu, tibi sit gloria, qui natus es de Virgine for the Octave and up until None of the Vigil of the Epiphany. From this Vespers until Candlemas the Marian antiphon is Alma Redemptoris with the versicle Post partum etc and the collect Deus, qui salutis. Where resources permit six pluvialistae assist the Hebdomadarius. At Compline the Domincial psalms were sung, Te lucis had the Doxology of the Incarnation and the Dominical preces were omitted.

Mattins is ordinarily sung later in the evening than usual, so that the Mass which immediately follows can begin at midnight. The Caeremoniale Episcoporum gives special instructions, Lib.II, Cap. XIV, for Pontifical Mattins, but may be reasonably applied to other celebrations, for the arrangement of adequate candles to supply light for the service and talks of candelabris ferreis magnis to provide this. The invitatory is proper, Christus natus est nobis: * Venite adoremus. When intoning the Office hymn, Jesu, Redemptor omnium, the Hebdomadarius turns and bows to the altar. Mattins has three nocturns and the usual nine lessons. In the first nocturn the antiphons Dominus Dixit etc are sung, doubled, with psalms 2, 18 & 44. The lessons are from Isaiah but, interestingly, are sung without a title. In the second nocturn the antiphons Suscepimus etc are sung with psalms 47, 71 & 84. The lessons in the second nocturn are taken from a homily on the Nativity by St. Leo. In the third nocturn the antiphons Ipse invocabit etc are sung with psalms 88, 95 & 97. The lessons are three Gospel pericopes, two from St. Luke and the third from St. John. After the Te Deum the collect is sung followed by Benedicamus Domino.

Then the first of the three Masses for the Nativity is sung. The Gloria is sung (one theory of its origin in the Mass rite is from the song of the Angels on Christmas night to the shepherds) as is the Creed. The preface and communicantes are of the Nativity. After Communion at the first Mass, when the celebrant is to celebrate one or two of the other Masses, the ablutions are not taken but the unpurified chalice is placed on the corporal and covered with the purificator, pall and veil. (Ablutions are taken after the last Mass so as not to break the fast). Lauds immediately follow Mass and again, resources permitting, six pluvialistae assist. The antiphons Quem vidistis pastores etc are sung, doubled, with the Dominical psalms. The Office hymn is A solis ortus cardine.

Later in the morning Prime is sung. The first antiphon from Lauds, Quem vidistis pastores, is sung with the festal psalms (53, 118i & 118ii). In the short responsory the versicle Qui natus es de Maria Virgine is sung. The lectio brevis is Ipsi peribunt. Prime is followed by the second Mass, the Missa in aurora. In the second Mass the Gloria is sung, there is a second collect to commemorate St. Anastasia. The Creed is sung and the preface and communicantes are of the Nativity.

After Terce the third Mass is sung. This Mass too has the Gloria and Creed along with the preface and communicantes of the Nativity. As the Gospel pericope for this Mass is In principio the Gospel of the Epiphany, Cum natus esset Jesus, is read as a proper last Gospel.

Second Vespers has yet a third set of proper antiphons for the feast, Tecum principium etc., that are sung, doubled, with psalms 109, 110, 111, 129 and 131. These antiphons and psalms will be used through the Octave. The Office hymn is Jesu, Redemptor omnium. After the collect of the feast a commemoration is sung of the following feast of St. Stephen. At Compline the Dominical psalms are sung. Te lucis has the Doxology of the Incarnation.

In the 'liturgical books of 1962' at Mattins in the third nocturn, and for the Octave, psalm 88, Misericordias Domini is cut from 51 to 36 verses. The verses from Tu vero repulisti et despexisti to the end are omitted. The Doxology in honour of the Nativity are not sung at the hymns of the Little Hours. In the third Mass the last Gospel is omitted and at Vespers no commemoration of St. Stephen is sung.

A very happy Christmass to all customers and readers!

Dominica Pentecostes - Pentecost Sunday

The feast of Pentecost, or Whitsun - as it is known in English speaking lands from 'White Sunday' most likely a reference to the white albs the newly baptized at the Vigil would wear - is one of the greatest feasts in the Liturgical Year ranking next only to Pascha and, like the Queen of Feasts, is a Double of the First Class with a privileged Octave of the first order. The liturgical colour of the feast and its Octave is red. The feasts of St. Angela Merici and St. Petronilla are omitted this year.

After the beautiful and splendid ceremonies of the Vigil of Pentecost yesterday morning first Vespers of the feast were sung in the afternoon. The solemn tone of Deus, in adjutorium is used at Vespers, Mattins and at Lauds. The antiphons, Cum complerentur dies Pentecostes etc are proper and were sung, doubled, with psalms 109, 110, 111, 112 & 116. During the singing of the hymn, Veni, Creator Spiritus, all knelt during the first verse. All hymns of the feast and Octave have the Doxology Deo Patri sit gloria, Et Filio, qui a mortuis, Surrexit ac Paraclito, In saeculorum saecula. Veni Creator is sung in tone 8, the other hymns of the Office in tone 1. At Vespers there were no commemorations. At Compline the Dominical preces are omitted for the Octave.

Mattins for the feast, and Octave, is like Pascha in only having a single nocturn of three psalms and three lessons. The invitatory is Alleluia, Spiritus Domini replevit orbem terrarum, Venite adoremus Alleluia. The Office hymn is Jam Christus astra ascenderat. The antiphons Factus est etc are sung with psalms 47, 67 & 103. The lessons are from a homily of St. Gregory the Great on St. John's Gospel. At Lauds the antiphons, Cum complerentur dies Pentecostes etc, are the same as at Vespers and are sung with the Dominical psalms (Pss. 92, 99, 62, Benedicite & 148). The Office hymn is Beata nobis gaudia. There are no commemorations.

At Prime the festal psalms are sung (Pss. 53, 118i & 118ii) under the antiphon Cum complerentur. In the short responsory the versicle Qui sedes ad dexteram Patris, alleluia, alleluia is sung. The short lesson is Judaei quoque. At Terce instead of the usual hymn Nunc Sancte nobis the hymn Veni Creator is sung as it was at the third hour the Holy Ghost descended on the Apostles, as a Vespers the first verse is sung kneeling.

At Mass the Vidi aquam is sung for the last time this year and the aspersion takes place with Baptismal water taken after the blessing of the font yesterday morning. The Gloria is sung and there is only one collect. After the Alleluia the beautiful sequence Veni, Sancte Spiritus is sung. The Credo is sung. The preface, Communicantes and Hanc igitur are proper to the feast and used throughout the Octave.

At second Vespers the antiphons Cum complerentur dies Pentecostes etc are sung, doubled, with Pss. 109, 110, 111, 112 & 113. The Office hymn is Veni, Creator Spiritus. The versicle and response and antiphon on the Magnificat are proper to second Vespers. There are no commemorations.

Following the 'liturgical books of 1962' the magnificent ceremonies of the Vigil have been abolished - no doubt as they would remind the faithful of the traditional form of Holy Saturday - although the Hanc igitur of the Mass of the Vigil still retains the clause '...on behalf of these whom Thou hast vouchsafed to bring to a new birth by water and the Holy Ghost..' even though the ancient baptismal rites have been abolished. At Compline and at the hymns of the Hours, except Terce, the ordinary Doxology is sung. The antiphons at the Little Hours are doubled.

Art: Jerome Nadal

Dominica Resurrectionis - Easter Sunday - Pascha

Hac die quam fecit Dominus, Solemnitas solemnitatum, et Pascha nostrum Resurrectio Salvatoris nostri Jesu Christi secundum carnem.

These glorious words are sung, to the tone of the Passion, at Prime today at the reading of the Martyrology before the announcement of the day and moon for tomorrow.  Holy Pascha is a Double of the First Class with a privileged Octave of the first Order.

At the final stages of the Vesperal Liturgy of Holy Saturday yesterday morning an antiphon consisting of a triple Alleluia was sung, doubled with psalm 116. The antiphon on the Magnificat was Vespere autem sabbati etc. After the Vesperal Liturgy the traditional blessing of houses takes place and, in some countries, the Paschal food.  Compline was sung, at the normal time. On Holy Saturday the Office of Compline has some interesting variations. It began with the usual Jube, domne, blessing, short lesson and confession. Converte nos, Deus, salutaris noster and its response were then sung followed by Deus in adjutorium etc with Alleluia for the first time since Septuagesima. The psalms were sung, without an antiphon, to a special form of tone 2. The hymn, chapter and responsory are omitted and Vespere autem sabbati sung as a fragment antiphon to the Nunc dimittis. After the Canticle the antiphon is sung in full. After the usual collect, Visita quaesumus, the antiphon Regina Caeli is sung with its versicle and collect.

Mattins begin with the solemn tone for Deus in adjutorium etc. The invitatory is Surrexit Dominus vere Alleluia and psalm 94 is sung to a lovely tone 6 setting. Mattins consists of one nocturn of three psalms. There is no Office Hymn throughout the Octave (c.f. Monastic praxis). The first antiphon is Ego sum qui sum etc and sung with psalm 1. The second antiphon, Postulavi Patrem meum etc, is sung with psalm 2. The third antiphon, Ego dormivi etc, is sung with psalm 3. A versicle and its response are sung follwed by the absolution Exaudi etc. The first lesson has the Gospel fragment Mark 16: 1-7 and is followed by a homily of St. Gregory the Great. The two responsories Angelus Domini descendit and Cum transisset sabbatum are famous and intimately connected with the Quem quaeritis ceremonies. The second lesson, Notandum vero nobis est is sung followed by the second responsory. During the second responsory the cantors and the celebrant don copes the principal one pre-intones the Te Deum. Six pluvialistae assist the Hebdomadarius where possible. The Te Deum is then sung and, where it is the custom the bells ring throughout.

Lauds follow immediately and have a series of beautiful antiphons: Angelus autem Domini, Et ecce terraemotus, Erat autem, Prae timore autem ejus and Respondens autem Angelus all taking up the theme of the Angels, earthquake and empty tomb. Psalms 92, 99, 62, Benedicite & 148 are sung with these antiphons. The chapter, hymn, versicle and response are replaced by the Haec dies. After Haec dies the antiphon Et valde mane is sung and then the Benedictus sung to a solemn tone 8. During the Benedictus the altar, the choir and people are incensed in the normal manner. The antiphon is repeated and the collect of Easter, Deus, qui hodierna die sung. Benedicamus Domino, Alleluia, Alleluia and its response are followed by the solemn Regina Caeli, its versicle and collect.

The morning Office begins with Prime. There are no hymns at the Hours during the entire Paschal Octave in the Roman rite. At Prime psalms 53 and the first two divisi of Ps. 118 are sung to a special form of Tone 2. Haec Dies is sung after the psalmody and then everything else is omitted up to the collect Domine Deus omnipotens. The Martyrology is then sung, starting with the verse indicated above. Then Sancta Maria etc is sung, the collect Dirigere et sanctificare etc and the short lesson Si consurrexistis. Terce, and the other Little Hours, are even more simple in their structure. At Terce the usual stanzas of Ps. 118 are sung to the special form of Tone 2 followed by Haec dies and the collect of the day.

Mass is sung after Terce. Instead of Asperges me the Paschaltide Vidi aquam is sung today and all other Sundays in Paschaltide. In the great Mass of Easter, Resurrexi, the Gloria is sung, one collect is sung. Haec dies is sung as the Gradual. The sequence Victimae paschali laudes is sung after the Alleluia. The Creed is sung and Ite missa est alleluia, alleluia is sung as the dismissal.

Sext and None have exactly the same structure as Terce. At Vespers the antiphons sung at Lauds, Angelus autem Domini etc, are are sung with the usual Sunday psalms. Haec dies is sung in place of the chapter, hymn and versicle & response. The solemn tone is used for Benedicamus Domino, alleluia, alleluia.

At Compline the usual psalms are sung to Tone 8G without any preceding antiphon, followed by an antiphon consisting of Alleluia, alleluia, alleluia, alleluia. This is followed by the Nunc dimittis sung to the Paschal Tone 2, without antiphons. Haec dies is then sung followed by the collect Visita quaesumus etc and then, as yesterday the antiphon Regina coeli etc.

The Nativity of the LORD

The feast of the Nativity of the LORD is a Double feast of the First Class with a privileged Octave of the third order. The liturgical colour of the feast is white.

At Vespers yesterday afternoon the antiphons Rex pacificus etc were sung, doubled, with psalms 109, 110, 111, 112 & 116. The Office hymn was Jesu, Redemptor omnium. All hymns of Iambic metre have the Doxology Jesu, tibi sit gloria, qui natus es de Virgine for the Octave and up until None of the Vigil of the Epiphany. From this Vespers until Candlemas the Marian antiphon is Alma Redemptoris with the versicle Post partum etc and the collect Deus, qui salutis. Where resources permit six pluvialistae assist the Hebdomadarius. At Compline the Domincial psalms were sung, Te lucis had the Doxology of the Incarnation and the Dominical preces were omitted.

Mattins is ordinarily sung later in the evening than usual, so that the Mass which immediately follows can begin at midnight. The Caeremoniale Episcoporum gives special instructions, Lib.II, Cap. XIV, for Pontifical Mattins, but may be reasonably applied to other celebrations, for the arrangement of adequate candles to supply light for the service and talks of candelabris ferreis magnis to provide this. The invitatory is proper, Christus natus est nobis: * Venite adoremus. When intoning the Office hymn, Jesu, Redemptor omnium, the Hebdomadarius turns and bows to the altar. Mattins has three nocturns and the usual nine lessons. In the first nocturn the antiphons Dominus Dixit etc are sung, doubled, with psalms 2, 18 & 44. The lessons are from Isaiah but, interestingly, are sung without a title. In the second nocturn the antiphons Suscepimus etc are sung with psalms 47, 71 & 84. The lessons in the second nocturn are taken from a homily on the Nativity by St. Leo. In the third nocturn the antiphons Ipse invocabit etc are sung with psalms 88, 95 & 97. The lessons are three Gospel pericopes, two from St. Luke and the third from St. John. After the Te Deum the collect is sung followed by Benedicamus Domino.

Then the first of the three Masses for the Nativity is sung. The Gloria is sung (one theory of its origin in the Mass rite is from the song of the Angels on Christmas night to the shepherds) as is the Creed. The preface and communicantes are of the Nativity. After Communion at the first Mass, when the celebrant is to celebrate one or two of the other Masses, the ablutions are not taken but the unpurified chalice is placed on the corporal and covered with the purificator, pall and veil. (Ablutions are taken after the last Mass so as not to break the fast). Lauds immediately follow Mass and again, resources permitting, six pluvialistae assist. The antiphons Quem vidistis pastores etc are sung, doubled, with the Dominical psalms. The Office hymn is A solis ortus cardine.

Later in the morning Prime is sung. The first antiphon from Lauds, Quem vidistis pastores, is sung with the festal psalms (53, 118i & 118ii). In the short responsory the versicle Qui natus es de Maria Virgine is sung. The lectio brevis is Ipsi peribunt. Prime is followed by the second Mass, the Missa in aurora. In the second Mass the Gloria is sung, there is a second collect to commemorate St. Anastasia. The Creed is sung and the preface and communicantes are of the Nativity.

After Terce the third Mass is sung. This Mass too has the Gloria and Creed along with the preface and communicantes of the Nativity. As the Gospel pericope for this Mass is In principio the Gospel of the Epiphany, Cum natus esset Jesus, is read as a proper last Gospel.

Second Vespers has yet a third set of proper antiphons for the feast, Tecum principium etc., that are sung, doubled, with psalms 109, 110, 111, 129 and 131. These antiphons and psalms will be used through the Octave. The Office hymn is Jesu, Redemptor omnium. After the collect of the feast a commemoration is sung of the following feast of St. Stephen. At Compline the Dominical psalms are sung. Te lucis has the Doxology of the Incarnation.

In the 'liturgical books of 1962' at Mattins in the third nocturn, and for the Octave, psalm 88, Misericordias Domini is cut from 51 to 36 verses. The verses from Tu vero repulisti et despexisti to the end are omitted. The Doxology in honour of the Nativity are not sung at the hymns of the Little Hours. In the third Mass the last Gospel is omitted and at Vespers no commemoration of St. Stephen.

A very happy Christmass to all customers and readers!